melodious,
looking nowhere near me, she was
made of some other material,
wax or ivory or marble, she looked like
Homer ready to be led around the known globe.
2. The Music
On the phone my mother says she has been sorting
her late darling’s clothes—
and it BREAKS
my HEART
, and then there are soft sounds,
as if she’s been lowered down, into
a river of music.
I’m not unhappy
,
she says,
this is better for me than church
,
her voice through tears like the low singing
of a watered plant long not watered,
she lets me hear what she feels. I could be in a
cradle by the western shore of a sea, she could
be a young or an ancient mother.
Now I hear the melody
of the one bound to the mast. It had little
to do with me, her life, which lay
on my life, it was not really human life
but chemical, it was approximate landscape,
trenches and reaches, maybe it
was ordinary human life.
Now my mother sounds like me,
the way I sound to myself—one
who doesn’t know, who fails and hopes.
And I feel, now, that I had wanted never to stop blaming her,
like eating hard-shelled animals
at mid-molt. But now my mother
is like a tiny, shucked crier
in a tide pool beside my hand. I think
I had thought I would falter if I forgave my mother,
as if, then, I would lose her—and I do
feel lonely, now, to sense her beside me,
as if she is only a sister. And yet,
though I hear her sighs close by my ear,
my mother is in front of me somewhere, at a distance,
moving slowly toward the end of her life,
the shore of the eternal—she is solitary,
a woman alone, out ahead
of everyone I know, scout of the mortal, heart
breaking into solo.
3. The Ecstatic
On her first antidepressant, my mother
is adorable. Like many of us, she’s not
interested in much except herself, but these
days she’s more happily interested
in herself. Now I think of those years with her
as the Middle Ages, before morphine.
We could have just put something in her food!
like a
Rose Fairy Book
potion. Yes, I
wanted her to put me first, I wanted
to draw out
Leviathan
with an hook. But I sensed the one under
the one under the spell—
this
one,
the child who was in there to be tinkered down to.
She’s had her fitting for the MedicAlert,
“I’ve got it on, I’m all dingus’d up,
I knew you would want to know that I’m all
hooked up!” She is happy that I want to know,
and proud of wearing a little transmitter—not
unlike being an opera singer—
a link to those who wish her pleasure and long
life. Oh I have my mother on a leash.
Where wast thou, when I laid the foundations of the earth?
When the morning stars sang together?
I was there, with my mother.
4. Two Late Dialogues
Mom as Comet
How do they know that it won’t decide
to turn and come this way?!
my mother,
at 82, points out.
They think
they’re soooo clever, giving it that funny
name no one can remember, but how do they
know that whatever’s behind it wont suddenly
aim it at us? It’s big, I mean
It’s Oh-ho-HO!
I see, I said,
yes … You think someone’s running it?
Not
SOMEONE,
she scathed,
not a person: a force,
a nameless force!
But she could see that I did not
get it, that inhuman powers,
out of control, can kill you. So my mom,
who used to sleep with masking tape
stuck to her brow, to prevent wrinkles,
transmogrified her face, and became—
by slewing her mouth this way and that,
and rolling her eyes, and letting her head
wobble as her shoulders swayed back and forth
—Hale-Bopp. She looked like a comic actor
doing a drunk, she looked like a tough
kid on a corner, amusing the others,
a person with an identity,
who could play, enacting her own wild mother
veering toward her, or her father, falling
to his accidental death, or my father
lurching at her, or the wave of death
toppling her second husband, or her own
death, somewhere, its maw pulling
from side to side, its eyes unfocused,
hurtling toward her, an error, a