a new not-want,
a shalt-not-want not-want. As soon as I
dared, around fifty, I called her, to myself,
the A-word. And yet, now, if she goes,
when she goes, to me it is like the departure of a
whole small species of singing bird from the earth.
7.
Something Is Happening
When it approaches, no one knows what it is—it is her
brain tumor, flaring up again.
My mother explains it to me—
Something
is happening, and it is physical,
and medical, and emotional,
and spiritual.
She’s so sheerly lonely
she is like the one member of a tribe.
When she hears the doorbell—when it has not rung—
and she runs to it, she is like an explorer
of unseen deserts, unscanned rivers of
asteroids. Her naked body is almost
pretty, with its thousand puckers, maybe there’s a
planet somewhere which holds this beaten-to-
soft-peaks egg-white stomach the most
desirable. It was painful to know her,
such a feral one, untrained, unmothered,
but now she is playing at the edge of some field,
absorbed. There is something big coming,
bigger than love, bigger than aloneness.
She’s staying up all night for it.
Something not an angel, not male or female,
is leaning on her brain. Up from within
the crease of the tumor, like the first appearance
of matter, something is arriving—not
her father, and not just death, but the truth,
her self, soon to be completed.
8. Cassiopeia
Just before dawn, the fixed stars
stand over my mother’s house,
and the queen’s throne seems to set
as the earth turns away from it.
But my mother is at her zenith—every
hour or so, these days, she stops talking,
and lets me have a turn, she squinches her
face like a child concentrating, she
knows this custom is important. Then
she is off again, on her long carouse
across the sky. There are two new
people who worship her. Well I worship you
myself, I say, for your good work
with the young musicians, and she says in her new
voice, Well I worship you right back.
Then she tells me the tumor may be growing again,
she has me finger the side of her radiant
visionary childhood face, to feel,
in the dent of her temple, the earth rising,
coming for her. She tells me her dream in which her
late husband, pissing in the goldfish
pool, turns toward her, laughing. She laughs,
her head thrown back, her hard palate
an arc, her curls gleaming like the moonlit
lake bush of an ancient Venus.
She was not meant to be a mother,
she never got to be a child until now—
I feel I am back in an early time,
when people were being tried out, combinations
of flowers, and animals, and hinges of iron,
and wheeling desire, and longing. I feel
like an old shepherd on a hill. My lamb,
who sickened so long, my first lamb, is gamboling.
PART FIVE : One Secret Thing
Still Life
At moments almost thinking of her, I was
moving through the still life museum when my mother had her
stroke. I was with the furled leeks, I was
in the domain of the damp which lines
the chestnut hide, of dew on snails,
of the sweated egg, and the newts quick
and the newts gone over on their backs, and the withered
books—she was teaching someone, three
time zones away, to peel and slice
a banana, in the one correct way,
and I was wandering ruins of breakfasts,
broken crusts of a blackberry pie,
the leg of the paper wasp on it done
with a one-thread brush, in oil which had
ground gold in it. She had alerted me,
from the start, to objects, she had cried out
in pain, from their beauty, the way a thing
stood for the value of a spirit, an orange
trailing from its shoulders the stole of its rind,
the further from the tree, the more thinged and dried—
my mother was a place, a crossroads, she held the
banana and lectured like a child professor on its
longitudes and divisible threes,
she raised her hands to her temples, and held them,
and screamed, and fell to her bedroom floor, and I
wandered, calm, among oysters, and walnuts,
mice, apricots, coins, a