Who do you put through to me and what do you say to the other one?â
I hesitated, unable to solve this Sphinx-like riddle with any kind of ease.
âHurry!â she said. âYouâre not going to have time to mull this decision with two lines blinking.â
âI put Karanuk through to you and let you know that the editor is on the other line,â I said quickly. âThen I tell the editor that youâll be with herâor himâshortly.â
Lucy smiled again, showing all her gleaming teeth. I exhaled and felt my shoulders relax a little, confident that Iâd given the right answer.
âWrong!â she said. â
Always
put an editor through first, no matter how small. Thatâs where the money is. Without publishers, we have no business. That small-time editor could be a big-time publisher tomorrow. Itâs happened before and it will happen again.â
âOh,â was all I could think to say.
âBut youâre obviously an author advocate. Thatâs very sweet.â
Craig had come back into the room in the middle of this interchange and seated himself with his pad once again. The two of them proceeded to ask me a series of questions, all of which seemed more or less standard, considering the position. Which books were my favorites? Why? Which popular books hadnât I liked? Why? What had I learned about publishing trends from my work at Blue Moon? How fast and how accurately could I read?
I answered all their questions with responses Iâd prepared ahead of time, but part of me was removed from the interview and watching in dismay. I was quite sure Iâd blown my chances with my answer to Lucyâs editor/author question.
âNowâ¦
Angel,
â Lucy said, my name seeming to stick in her throat before she forced it out, âI must, of course, ask you why youâve decided to leave Blue Moon. Doesnât Elise treat you well?â
âOh no, itâs not that at all,â I said quickly. âElise is wonderful! But sheâs closing the store.â I felt a pang of sadness just saying it out loud. âI guess you didnât know.â
âWhat a shame,â Lucy said, shaking her head. âAlthough Iâve often told her she needed to do more to keep up with the big boys. Too idealisticâthatâs Eliseâs problem. What a pity.â
âYes,â I said, âitâs a realââ
âWe could talk all day, Iâm sure,â Lucy interrupted, rising to her feet, âbut Iâve really got to get back on the phone, and I have several other candidates to interview today. Really, weâve had an overwhelming response from that ad, havenât we, Craig?â
âOverwhelming,â Craig rumbled.
âWhat Iâd like to do is to get your take on a couple of manuscripts,â Lucy said. âWhy donât you have Nora give you some things from todayâs mail and also something that weâre working on now? She can give you the George proposal. I think that one would be good. You can drop off your notes if you like or fax them in. Weâll talk again after that. How does that sound?â
âGreat,â I said, and shook her hand once more. âThank you so much.â
âJust one more question,â Lucy said. âYouâre not a
writer,
are you? Thereâs no place for writers here.â
My mind stumbled over the irony of that statement while my mouth started forming an answer, but Lucy interrupted me once more. âI
have
made the mistake of hiring writers before. It doesnât work.â She shuddered, as if remembering a bad dream. âWe represent writers here, we donât create them. Is that clear?â
I had no difficulty responding this time. Of all the questions Lucy had asked me, this one had the surest answer.
âI have no talent for writing,â I told her. âReading is my passion.â I thought about Malcolm and