felt strangely guilty, as if I was somehow betraying him and lying to Lucy at the same time.
âGood, good,â Lucy said, ushering me to the door. âWhat do you think of my office, by the way? Do you think you could be comfortable working in such a beautiful environment?â
âItâs fantastic,â I said, and as soon as the words were out of my mouth, I realized what her office reminded me of, the image that had been nagging for definition at the back of my mind. Lucy Fiammaâs office was very much like an igloo.
AT THE SOUND OF Lucyâs door shutting against my sweat-damp back, Nora and Anna simultaneously swiveled their heads in my direction. Nora looked completely wretched. Anna simply looked annoyed. Both of them raised their eyebrows, forming two sets of inverted parentheses, as if to ask me what the hell I wanted
now.
Standing next to Anna was a tall blond woman wearing a tailored gray suit and clutching a briefcase in one hand. She was, I assumed, the next âcandidateâ scheduled to interview with Lucy. She gave me a quick, questioning look as if to ask me what to expect, but I looked right past her. I meant to get this job and I wasnât about to offer someone else any help to take it from me, even if that help came from a simple smile. I turned toward Nora.
âUmâ¦Iâ¦Lucyâ¦â I drew back some of the oxygen that seemed to have been sucked out of my lungs and started again. âLucy asked if you could give me some manuscripts from todayâs mail and theâ¦umâ¦the George proposal?â
Nora slid out from behind her desk and began riffling through a mail tub full of manuscripts. Anna got up as well, only to sit down again on the edge of the same desk sheâd wrecked before. Both of them seemed to be intent on completely ignoring the woman in the gray suit.
âGuess it went okay in there?â Anna inclined her head toward Lucyâs office. I smiled at Anna as politely as I could and hoped that would suffice as a response to the nosy question I had no intention of answering.
âThisâd be your desk, you know,â Anna said, patting the papers underneath her rump. âItâs the closest one to her.â
âRight,â I said. âThat makes sense.â I looked away from Anna for a moment, not wanting to brand the image of her backside spilling onto the desk. If I managed to get the job, it wasnât a vision Iâd want every time I reached for a Post-it.
âDoes she want you to write notes? On the manuscripts?â Anna asked.
âYes, thatâs what she said. And Iâll fax them in.â
âDo you know how to do that?â
âHow to fax?â
âNo, how to write a report.â
âOh. Well, Iââ
âMake sure you put your name on it and the authorâs name. And what the genre is. The genreâs very important.â
âOkay,â I said. âThanks.â
Anna turned toward Nora. âDonât forget to give her the George proposal, Kelly,â she said.
Kelly? Who was Kelly?
âIâm sorry,â I said to Nora/Kelly, âdid I get your name wrong? I thought it was Nora?â
Nora/Kelly sighed heavily.
âItâs my mistake,â Anna said, an air of smugness hanging around her like a low cloud. âHer real nameâs Kelly, but we call her Nora. Lucy feels that Nora is a better name for her. So sheâs Nora here. Sometimes I forget. Sorry.â Although she clearly wasnât sorry at all.
âI understand,â I said, although I didnât.
Nora/Kelly looked at me as if sheâd like to vaporize me on the spot. âHere are a few random manuscripts from today,â she said through gritted teeth, âand hereâs a copy of the George proposal.â She shot a poisonous glance in Annaâs direction. âYou should keep them separate. You can give me a call before you fax them in. Or you can drop