whoâs been waiting for an hour? In mourning? Itâs not
Madame Couchet? What? Madame Martin? Iâm on my way.â
Madame Martin
in mourning
! And
sheâd been waiting for him at police headquarters for an hour!
All Maigret had seen of her so far was a
shadow puppet, the comical, gesticulating shadow on the second-floor curtain the
previous evening, whose mouth opened and shut, emitting a furious invective.
It happens all the time!
the
concierge had told him.
And the poor civil servant, whoâd
forgotten his glove and gone for a solitary walk along the dark banks of the
Seine.
And when Maigret had left the courtyard,
at one a.m., heâd heard a noise at a window.
He slowly climbed the dusty stairs,
shook hands with a few colleagues in passing and put his head around the half-open
door of the waiting room.
Ten green velvet armchairs. A table like
a billiards table. On the wall, the roll of honour: 200 portraits of inspectors
killed in the line of duty.
In the centre chair a lady in black sat
very stiffly, one hand clutching her handbag with its silver clasp, the other
resting on the handle of an umbrella.
Thin lips. A
steady gaze staring straight ahead.
She did not move a muscle on sensing
that she was being watched.
She sat and waited with a set
expression.
4. The Second-Floor
Window
She walked ahead of Maigret with that
aggressive dignity of those for whom mockery is the worst calamity.
âPlease sit down,
madame!â
It was a clumsy, friendly Maigret, with
a slightly vague look in his eyes who showed her into his office, indicating a chair
bathed in light streaming in through the pale oblong window. She sat down, adopting
exactly the same pose as in the waiting room.
A dignified pose, naturally! A fighting
posture too. Her shoulders did not touch the back of the chair. And her black-gloved
hand was poised to gesticulate without letting go of the handbag, which would swing
through the air.
He, on the other hand, sat in an
armchair. It was tilted back, and he sprawled in a rather crude position, puffing
avidly on his pipe.
âI imagine, Detective Chief
Inspector, that you are wondering why Iââ
âNo!â
It wasnât malice that made Maigret
throw her off balance like that the minute they met. It wasnât a coincidence
either. He knew it was necessary.
Madame Martin jumped, or rather her
chest stiffened.
âWhat do you mean? I donât
imagine you were expectingââ
âOh yes, I was!â
And he smiled at
her good-naturedly. Suddenly, her fingers were ill at ease in her black woollen
gloves. Her sharp gaze swept the room and then something occurred to Madame
Martin.
âHave you received an anonymous
letter?â
It was a statement as much as a
question, with a false air of certainty, which made the inspector smile all the
more, because this again was a characteristic trait that fitted in with everything
he already knew about the woman sitting in his office.
âIâve not received any
anonymous letter.â
She shook her head dubiously.
âYou wonât have me
believeââ
She was straight out of a family photo
album. Physically, she was a perfect match for the Registry Office official she had
married.
It was easy to imagine them strolling up
the Champs-Ãlysées on Sunday afternoons: Madame Martinâs black, twitchy back,
her hat always skew-whiff because of her bun, walking with the hurried pace of an
active woman and that jerk of her chin to underline her emphatic words; Monsieur
Martinâs putty-coloured overcoat, his leather gloves and walking stick, and
his peaceful, assured gait, his attempts at a leisurely promenade, stopping to gaze
at the window displays.
âDid you have mourning clothes at
home?â murmured Maigret snidely, exhaling a big cloud of smoke.
âMy sister died three