descriptions of her latest ailments as soon as they sat down. The subject of her only childâs art never took longer than two minutes of the one-hour visit and, over the years, the artist had gotten used to nursing her work within the privacy of her own breast.
There was even some pride, admittedly, in knowing that few people understood the minuscule, surrealistic paintings. Only a buyer with an unusual eye would appreciate mermaids lying before church altars or the safety offered to an egg by warm, brown earth. But the egg series was to be put on hold, thanks to Roperâs invitation, and a Jamaican series was to take its place.
âA free vacation.â Penny snorted. âIâm totally green, you know, thinking of you being in the Caribbean in the middle of winter.â
âAnd the seaâs right there, at the end of a path.â
âHowâd you get this invitation, anyway? I know you mentioned it, butââ
âI donât know why I tell you anything, Penny Clutterbuck.â Sarah took a slow sip of tea, relishing the suspense she had few opportunities to create.
âGet on with it.â
âNaomi represents Roper in the UK, and he was in the gallery one day and we started chatting. Actually, he was chatting and I was listening. He kept looking at my paintings and asking me if I didnât want to paint something larger than four-by-fours, like a bloody teacher or something, and I finally got upset because he kept pressing me, and as I was walking away he called out something about paying my ticket to Jamaica and putting me up if I painted one large painting. You canât paint Jamaica small, he said. Had a rather arrogant tone, too.â Sarah shrugged. âI said no, thank you, of course, but Naomi was standing right there. She started going on about how wonderful a Jamaican series would be.â Sarah drained her cup and filled it again from the teapot. âNo way out, really.â
âLucky bugger, you are. Donât even know the manâs full name and heâs paying for your ticket, plus board and lodging.â
âYes, but itâs sort of like holding me hostage, isnât it? No return ticket until he approves of one of my paintings.â
âSuppose he doesnât approve of anything and youâre stuck ?â
Sarah ran a finger around the lip of her teacup. âHeâs rather a character, I think, but he strikes me as a fair sort. When Iâve had my holiday and painted what I want to paint, Iâll just give him the painting he wants and get done with it. In the meanwhile, my expenses will be taken care of in Jamaica, and your cousin will be renting my room here until I come back. No harm done.â She hunched her shoulders forward and hugged her arms. âThe great adventure, right?â
CHAPTER FOUR
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S ay that again!â Shad said. He pushed himself up on one elbow, Bethâs arm still on his hip. The unexpected evening of romance had descended into a web of manipulation.
âSo that is why you left the sandwich on the dinette tableââ
âWith the crust cut off, the way you like it.â
ââand the nightgown and perfume, because you want to work in Port Antonio ?â
âWhat wrong with that?â Beth asked, almost innocently.
âJust because Jamaica get a woman prime minister, all you women think you canââ
âWhy you going on so?â
âYou have four children to look after, a baby to nurse, Ashanti with her problems, a garden in the back to tend, market on Saturday to sell your vegetablesâand you want to get a job? You donât have enough work to do here?â
He dropped back on the pillow, his head on his arm. Above him, the ceiling was streaked by the neighborâs porch light sneaking in above the curtains. âWho going to take care of the children? I working mornings at Mistah Ericâs bar and evening shift until all hours, so