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as Armansky was about to leave for the day. He read it only late that evening, as he was relaxing over a bottle of wine in front of the TV with his wife in their villa on Lidingö.
    The report was, as always, almost scientifically precise, with footnotes, quotations, and source references. The first few pages gave the subject’s background, education, career, and financial situation. Not until page 24 did Salander drop the bombshell about the trips to Tallinn, in the same dry-as-dust tone she used to report that he lived in Sollentuna and drove a dark blue Volvo. She referred to documentation in an exhaustive appendix, including photographs of the thirteen-year-old girl in the company of the subject. The pictures had been taken in a hotel corridor in Tallinn, and the man had his hand under the girl’s sweater. Salander had tracked down the girl in question and she had provided her account on tape.
    The report had created precisely the chaos that Armansky had wanted to avoid. First he had to swallow a few ulcer tablets prescribed by his doctor. Then he called in the client for a sombre emergency meeting. Finally—over the client’s fierce objections—he was forced to refer the material to the police. This meant that Milton Security risked being drawn into a tangled web. If Salander’s evidence could not be substantiated or the man was acquitted, the company might risk a libel suit. It was a nightmare.
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    However, it was not Lisbeth Salander’s astonishing lack of emotional involvement that most upset him. Milton’s image was one of conservative stability. Salander fitted into this picture about as well as a buffalo at a boat show. Armansky’s star researcher was a pale, anorexic young woman who had hair as short as a fuse, and a pierced nose and eyebrows. She had a wasp tattoo about an inch long on her neck, a tattooed loop around the biceps of her left arm and another around her left ankle. On those occasions when she had been wearing a tank top, Armansky also saw that she had a dragon tattoo on her left shoulder blade. She was a natural redhead, but she dyed her hair raven black. She looked as though she had just emerged from a week-long orgy with a gang of hard rockers.
    She did not in fact have an eating disorder, Armansky was sure of that. On the contrary, she seemed to consume every kind of junk food. She had simply been born thin, with slender bones that made her look girlish and fine-limbed with small hands, narrow wrists, and childlike breasts. She was twenty-four, but she sometimes looked fourteen.
    She had a wide mouth, a small nose, and high cheekbones that gave her an almost Asian look. Her movements were quick and spidery, and when she was working at the computer her fingers flew over the keys. Her extreme slenderness would have made a career in modelling impossible, but with the right make-up her face could have put her on any billboard in the world. Sometimes she wore black lipstick, and in spite of the tattoos and the pierced nose and eyebrows she was … well … attractive. It was inexplicable.
    The fact that Salander worked for Dragan Armansky at all was astonishing. She was not the sort of woman with whom he would normally come into contact.
    She had been hired as a jill-of-all-trades. Holger Palmgren, a semi-retired lawyer who looked after old J. F. Milton’s personal affairs, had told Armansky that this Lisbeth Salander was a quick-witted girl with “a rather trying attitude.” Palmgren had appealed to him to give her a chance, which Armansky had, against his better judgement, promised to do. Palmgren was the type of man who would only take “no” as an encouragement to redouble his efforts, so it was easier to say “yes” right away. Armansky knew that Palmgren devoted himself to troubled kids and other social misfits, but he did have good judgement.
    He had regretted his decision to