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and soccer socks. Their pet birds are shitting everywhere, but they don’t care as long as it’s not on their boots. It’s filthy and the girls are smoking and think it’s all so very funny. They’re talking about me but I can’t hear the words over the laughter. I creep on unnoticed and over the wires and microchips and bird shit until someone drops a lit cigarette on my head and I jerk up, screaming. They all stop and look, but nobody laughs. Someone helps me to the door but I can’t keep a grip on her arm because the satin jacket she’s wearing is so slippery. I stumble and land at the feet of the Skinny Pink Polo Shirt Boy with the mutton chops and the kilt. I get a flash up his skirt and he’s not wearing any underwear. His cock is thick and long and doesn’t have a mushroom head. I smile up at him, but his expression reads nothing but pity. The Slippery Girl gets me to the door and nudges me out. It’s all fine. I have to go anyhow. I have to make a call or have a meeting and buy clothes for my new job. Yes, I have to go. I have to go. I have to go.
    I reach into my desk and pull out a spare set of keys forthe office front door, the back door, the Swag Shack. I can’t go. I don’t need to go. I have nowhere to go. I still have my keys. I hold them tightly in my hand until the metal edges dig into my skin—not enough to draw blood, but enough to hurt. My e-mail pings and pings and soon it’s the rhythm of an old techno song—no, early Chicago house, which I know is back and that my vinyl is worth maybe thousands to some know-it-all DJ with a cute face and a thousand girlfriends. But he loves Parrot Girl the most and is living in the suburbs with his parents to save enough money to impress her by giving her the rarest, most colorful parrot in the world—one that’s fully bilingual and shits in a toilet and knows how to use a bidet.
    There is nothing worse than suburban scenesters who love girls with parrots who try too hard. I force myself to look at Parrot Girl’s photo on my screen. She’s standing in front of the brunch spot that now I’ll truly never, ever return to—and she’s smiling. We have a strict no-smile policy for our DOs and DON’Ts. Perhaps it’s time to revisit that. I make a note on a yellow sticky: Smiles? Eva says nothing, she hovers, frozen behind me.
    “I guess people love birds,” I say, which is maybe the dumbest thing to come out of my mouth all day. “Hey, why don’t I make a couple of quick calls and we cut out early, do the streets and grab a couple of drinks before dinner?” This is maybe the smartest thing to come out of my mouth all day.
    Eva heads back to her desk and I e-mail Ted that I’m heading out to do the streets, which means going trolling for unfortunate-looking people wearing unfortunate outfits, and call Jack in Toronto on his cell. He’s prepping a video for a New York electro-goth band all week. When he doesn’t pickup on the third ring I hang up and straighten the papers on my desk. A call comes through on my private line.
    “Did you just call?” It’s Jack.
    “Yeah.”
    “Why didn’t you leave a message?”
    “I don’t know.” We’ve had this conversation before.
    “You could at least leave a message.”
    “Next time I will, then.”
    “You sound funny.”
    “I am funny.”
    “Seriously, Sara, are you okay?”
    “Why wouldn’t I be?”
    “I saw Parrot Girl on Apples Are Tasty.”
    “Then why the hell didn’t you call?”
    “I figured you would have seen it.”
    “I just saw it now—Eva showed it to me.” Admitting this is torture. I’m humiliated and bruised. All the blood in my body feels like it’s rushing to my head. My eyes sting. I’m going to cry. “I don’t know if I can do this anymore,” I whisper into the phone. The tears come.
    “Oh, baby, it’s gonna be okay. We all have off days.”
    “This isn’t about an off day.” My voice is choking; I’m strangled by confession.
    “Are you gonna be home