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write, or eat were sternly stopped. Karpo had never thought much about this, assuming the idea of conformity was simply part of one’s education in an overpopulated society. But now Karpo had to become left-handed. He wrote slowly, carefully, in his notebooks, his private volumes of detailed reports on every case to which he was assigned. He wrote about the new case to which he had been assigned and wondered why it had been given to him and not to his superior, Porfiry Petrovich Rostnikov. He wondered but did not speak of his wonder as he learned to write with his left hand and constructed the details about the sniper who was shooting at people from the rooftops in Central Moscow.
    There had been five shootings, three resulting in death. There had been no real clues besides the bullets, with the possible exception of the report by the drunken night porter of the Ukraine Hotel who swore that he heard someone weeping loudly on the roof of the hotel on the night of the third shooting. Since the bullets had certainly come from the hotel roof, the sniper had been given the nickname the Weeper, but it was a nickname only a few in Petrovka shared. No word of the snipings had been heard on the radio or television, and no reports had appeared in the press.
    The Weeper would go on killing without the people of Moscow knowing of it until he or she was caught or the shootings became pandemic. It was, Karpo was sure, better this way. There was nothing to be gained from alerting the public to this crime. There were no safeguards to be taken. There was nothing to do except catch the sniper and turn him over for a quiet trial, or perhaps no trial at all.
    So Karpo had learned to drink his black tea with his left hand, to dress himself with his left hand, and to write his clear, precise notes with his left hand. Deep within him, as he adjusted to the change, he considered what might happen if the procurator learned that his disability was permanent. It was inevitable, but until that inevitable moment came, he would continue to work as he had for twenty-two of is forty-three years.
    And so it was that on a hot August morning Emil Karpo stood in front of the statue below the general and in front of the pedestal on which were carved life-sized images of the commanders, soldiers, and partisans who had long ago risen to the defense of their country.
    Twenty minutes after he had taken up his vigil in the square, Karpo saw the man he had been waiting for. The man was about sixty, wearing a dark and slightly shabby hotel uniform. In his right hand was a small cloth sack. Instead of joining the flow of tourists, the man sought out a bench, found an empty seat, and looked around, squinting against the sun. Not finding what or who he was looking for, he opened his sack lovingly and removed a sandwich wrapped in newspaper and a small box from which he began to remove dominoes. An overweight woman on the far end of the bench who had stopped to catch her breath, a task she might never accomplish, glanced at the old man, who appeared to be offering her a game. Karpo could see the man’s mouth moving and the woman nodding her head no as he left the statue and moved forward.
    Karpo brushed by a couple trying to figure out a visitor’s map and approached the bench, standing between the old man and the sun, throwing his shadow over the black dominoes the man was placing on the bench. The fat woman looked at Karpo and forced herself up, pretending to see someone she knew. Karpo ignored the open space on the bench and stood over the man, who looked up at the dark outline before him.
    â€œA game?” the man said. His teeth were in bad condition, but he was clean-shaven and, in spite of the hot weather, not nearly as rancid as many who worked in heavy uniforms were in the summer.
    â€œPavel Mikiyovich?” Karpo asked, though he knew this was the man.
    Mikiyovich squinted up curiously, then with fear, and then with Moscow indifference, feigned