dinner. Daniel Ackerman. And that only makes it worse.
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DANIEL
Thereâs a light rain spitting on the window, mist circling through the gums outside. If I was dry before, then Iâm screaming for a drink now. Francine Connolly is sitting near the window, on a box, her head against a chest of drawers. Sheâs asleep, like a doll in a shop. Thereâs a small wooden container at her feet thatâs flipped open, showing the pencils inside. When I saw her in the night I thought I was dreaming again, but Iâve worked it out now. Though why Iâm here is a mystery I couldnât be arsed thinking about. Her stomach grumbles, she makes a small mewling sound and sheâs coming to. Thirsty as I am, I donât want her to wake up yet. Lying here looking at her and the rain is keeping me blank. If I look at her I canât see Mumâs face. I remember Evan telling me somewhere yesterday that heâd sent off word to her. He didnât mention anything about Dad. Didnât have to.
If I look at Francine Connolly I can feel the anger settle hard in me.
She opens her eyes and sits up with a start. Sheâs wondering where she is, sitting on a box in her nightdress.
âHm. Hm. Hello,â she says, brushing her hair off her face, like she sleeps there every night.
âI need to piss,â I say.
She blushes all over her cheeks, hands me the pot and leaves. She can fuck off now. I should have asked for a drink first, though. As for the other, itâs not an easy job and I end up pissing half on the floor. What an animal I am. Iâll be able to watch her clean it up.
Hello. Sheâs back, all tucked into her slim skirt, with breakfast. I throw down the water, but I canât eat. As she leaves again I want to tug the back of her hair and ask her why. Another, older woman comes in, Iâve seen her in town once or twice but I donât know her. She smiles plainly at me and cleans up my mess and I feel like a pig.
A little while later Frank Connolly comes in. Unbelievable as it is, thatâs who he is. Overfed and puffed out for it. Asking me how I am, telling me heâll make sure my mother and I are looked after. I can still see him patting me on the chest yesterday, wanting to shove him off. I can see him driving his flash motor car. Iâll take whatever money there is, but I donât want his sympathy. He, and everyone like him, is the reason for this. Why my father is dead. Why one brother is dead and the other one taken off. Why my mother is quiet. Why Iâve been cut or bruised or burned in some way just about every day for the last five years. Maybe from a different view I might think he was a good bloke, but his generosity squashes me like an ant here. I get lost in the tiny red lines that snake out across his nose, and say nothing.
Then they all leave me alone. I push myself up against the back of the bed so at least Iâm not lying down any more. Thatâs all I can do at the moment and I just sit here like my arse is drilled to the mattress. It stops raining, but the mist thickens and fills the window. I get lost there too. Iâm thinking about that day I ran ahead to warn Mrs Skelton about Jimmy. I was fifteen and skinny and I flew and I didnât really know what I was doing. I knew what to do, and why I was running, and what to say, but I didnât know what it meant. Thatâs how they want you to be: to do as youâre told and not think about it too much. Everyone. Them and us. But that look on Mrs Skeltonâs face ⦠I want to see her now and tell her properly, but she moved away; donât know where she is. Itâs not even anger in me now, itâs just white, hot, and Iâve got to get out of here, and forgetting I canât, I go to get up. And Iâm biting down against it when Evan walks in.
He tells me, finally, what I already know about Dad, and the others, Fred McNally and Matt Jones who were in the