Bending Adversity: Japan and the Art of Survival

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Book: Read Bending Adversity: Japan and the Art of Survival for Free Online
Authors: David Pilling
thing I had to tell him was that I didn’t have a Geiger counter.
    That night, I watched television in my perfectly arranged, but coffin-sized hotel room. On one channel a woman was reading a never-ending list of names, of those missing and those found, in a slow, respectful monotone. After each name, read out with the family name first in the Japanese style, the announcer added the respect term
san
: ‘Sato Yoshie-san, Takahashi Michiko-san, Suzuki Mitsuko-san’. The Chinese characters that the Japanese use can be read in different ways and it is not always obvious how to pronounce unfamiliar names. (Yuko, a common first name, can, for example, also be pronounced Hiroko.) So sometimes the announcer was obliged to offer alternative versions of the names of people feared dead or missing. ‘Kawano or Kono-san,’ she said. ‘Kiyonari or Kiyoshige-san.’ Not only were people missing. Their very names were losing substance.
    I switched channel. Tokyo firemen in orange outfits were saluting before being sent in to douse the smouldering Fukushima nuclear reactor with their tiny hoses. As they marched unhesitatingly towards the plant, still gushing radiation, I thought of the
kamikaze
pilots sent on doomed missions in the final months of war. Another channel had turned a variety show into a fundraiser. Doraemon, a blue-and-white cat-like creature with capacious pockets from which he extracted useful and whimsical items, had been recruited to the cause. He was urging viewers to send in money. After an hour or so, I switched back to the original channel. The woman was still reading out the names of people in her respectful monotone. ‘Ono Megumi-san, Uchiyama Tomoe-san, Uchiyama Mitsuo-san.’
    The next morning we set out for Ofunato. We loaded the car with food and water since both were said to be scarce on the tsunami-afflicted coast. We needed a few extra provisions, Toshiki said, including protective boots for clambering over the rubble. The hardware store had posted a sign on its automatic doors specifying all the unavailable items, sold out due to panic buying. It was not a short list: fuel containers, batteries, radios, flashlights, portable heaters, gas canisters, mobile phone chargers, water, tea. Toshiki said that the disaster had revealed what was elemental: ‘Water, fire, communication.’
    The drive to Ofunato was uneventful. The roads were virtually empty. We had managed to wangle an emergency pass and only cars like ours were allowed to buy petrol. Tolls were waived. The landscape was mountainous, with trees stretching to the horizon. Snowy fields, small hamlets, fir trees, a tin-metal sky. We passed occasional convenience stores, most with their lights dimmed and signs proclaiming: ‘We have boxed lunches.’ They didn’t appear to have much else. Just a few miles from the coast we passed the Maruhan Pachinko Parlour, the sort of place where the Japanese play noisy arcade games involving streams of metal balls. Toshiki shook his head at the sight of the car park full of vehicles. So near to tragedy, the people inside were in a sea of cigarette smoke and clanging machines. A few minutes later we rounded the corner and entered the valley that was once Ofunato.
    •   •   •
    For those who haven’t seen it with their own eyes, it is practically impossible to imagine the devastation left behind by a tsunami.A colleague of mine described it as like walking into a photograph of Hiroshima after the nuclear bomb. I wrote in my notebook that it was as if the man-made world had vomited up its innards. The things that were usually hidden – piping, electric cables, mattress stuffing, metal girders, underwear, electricity generators, wiring – were suddenly on full display, like secrets expelled from the intestines of modern living. Amid the shreds of wooden houses, twisted steel and old soy sauce bottles, one of the first things I noticed was a deer on its back, its glazed eyes staring up blankly at the

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