Banquet for the Damned
smoke that drifts over his face. 'Familiarise yourself. Of course.'
Dante can often fool himself, but fooling Tom is impossible. A mutual intuition has existed between them since the day they met at school, aged fourteen. And the very thought of meeting Eliot Coldwell saps the strength from his limbs. He's always fantasising about what it would be like to meet someone famous, like Axl Rose. What would you say to someone like Axl, someone you admire but also fear? What if they are vile? What if they ignore you, or even smack you down because you're just another dumb fan crowding their space? Guns'n'Roses ignited a renaissance in his musical tastes. After hearing Appetite for Destruction for the first time, it was as if his destiny paused and then turned in another direction to kindle the awakening of his interest in music, and to create Sister Morphine. And then an album that led him to choose part-time work after graduation and the threadbare rock'n'roll lifestyle it barely supported.
But he knows Eliot Coldwell's influence goes far beyond his musical infatuations. Banquet for the Damned offers not just an escape but a confirmation of everything he wants to be. As a teenager he read the book continuously in a darkened room festooned with Mötley Crüe and Ratt posters, warmed by a glow of wonder under his skin. Some kind of epiphany had begun inside him, a strange blend of awakening, inspiration, and comfort. Telling anyone how he feels about the book now, other than Tom, is difficult. Difficult to find the words and difficult not to sound like a fool. It seems like such a cliché – a book changing your life – but it is as if Banquet for the Damned exerted a strange influence on the choices he's made. Suddenly, after the first read in his mid-teens, the acquisition of experience became his goal. Tasting every aspect of life became his aim. The search for fulfilment had to be endless, no time could be wasted with routine, nothing ordinary settled for, mediocrity became the devil. Eliot Coldwell's motives and desires became his own. And now he is going to meet the forgotten author. To sit before a man he considers great. A man who writes of riches lurking behind the everyday world, and waiting to be found.
'In at the deep end, buddy. It's the only way,' Tom says.
Dante's face pales. Cigarette tar curdles in his stomach and he becomes light-headed. 'What if I make a tit of myself? Start gabbling and saying stupid things. We're talking about research work. I'm not a scholar. I write lyrics for heavy metal songs. Who am I kidding?'
'Bullshit,' Tom says. He stares at the side of Dante's head. 'I have seen you sing in front of three hundred drunken bikers in shit-kickers' heaven and you never let us down. Even when we were the support act and people just wanted to throw shit, you came through. You always won the punters over, getting them all clapping and freaking out. You did it. There's nothing to worry about. You can do anything. And Eliot's just a man. An old man. OK, a clever one, but flesh and blood all the same. Problem is, you've spent too much time reading his book by candlelight, elevating him into a god or something. I mean, you even reckon he's a saint.'
Tom's words resound inside Dante. His tide suddenly turns. He feels gregarious and confident. He remembers the haggle with sullen bar owners over the band's fee and he sees himself crooning above a mesmerised audience; he recalls the girls after a gig, gathering around them, and the strangers that always wanted to shake his hand. Why should he falter now? It was Eliot that spoke for leaps of faith, discovering purpose, heightening the mind and taking a glimpse behind the screens. Dante turns around and smiles at Tom. 'Find me a phone box.'
Eliot Coldwell is waiting and will see him right away.
Something hot and strong pulses through Dante's entire body. After barging out of the phone box on Market Street he offers his hand to Tom, who gives it a firm two-handed clasp.

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