much in the normal way dreams have of proceeding. I still think the old plain way is better: the ideas, speeches, arguments—whatever you want to call ’em—on one hand, and strongly written scenes and fully fleshed-out characters in flannel suits and leg-o’-mutton sleeves on the other. For the new moon is most beautiful viewed through burnt twigs and the last few decrepit leaves still clinging to them.”
Suddenly he glanced upward toward the scree and noticed a girl in a Victorian shirtwaist and a straw boater hat moving timidly down the path through the now wildly swirling mists. She was giggling silently with embarrassment and wonder, meanwhile clasping an old-fashioned kodak, which she had pointed at Mercury.
“It is Sabrina,” he said. “The wheel has at last come full circle, and it is the simplicity of an encounter that was meant all along. It happened ever so many years ago, when we were children, and could have happened so many times since! But it isn’t our fault that it has chosen this moment and this moment only, to repeat itself! For even if it does menace us directly, it’s exciting all the same?”
And the avalanche fell and fell, and continues to fall even today.
The Path to the White Moon
There were little farmhouses there they
Looked like farmhouses yes without very much land
And trees, too many trees and a mistake
Built into each thing rather charmingly
But once you have seen a thing you have to move on
You have to lie in the grass
And play with your hair, scratch yourself
And then the space of this behavior, the air,
Has suddenly doubled
And you have grown to fill the extra place
Looking back at the small, fallen shelter that was
If a stream winds through all this
Alongside an abandoned knitting mill it will not
Say where it has been
The time unfolds like music trapped on the page
Unable to tell the story again
Raging
Where the winters grew white we went outside
To look at things again, putting on more clothes
This too an attempt to define
How we were being in all the surroundings
Big ones sleepy ones
Underwear and hats speak to us
As though we were cats
Dependent and independent
There were shouted instructions
Grayed in the morning
Keep track of us
It gets to be so exciting but so big too
And we have ways to define but not the terms
Yet
We know what is coming, that we are moving
Dangerously and gracefully
Toward the resolution of time
Blurred but alive with many separate meanings
Inside this conversation
Ditto, Kiddo
How brave you are! Sometimes. And the injunction
Still stands, a plain white wall. More unfinished business.
But isn’t that just the nature of business, someone else said, breezily.
You can’t just pick up in the middle of it, and then leave off.
What if you do listen to it over and over, until
It becomes part of your soul, foreign matter that belongs there?
I ask you so many times to think about this rupture you are
Proceeding with, this revolution. And still time
Is draped around your shoulders. The weather report
Didn’t mention rain, and you are ass-deep in it, so?
Find other predictions. These are good for throwing away,
Yesterday’s newspapers, and those of the weeks before that spreading
Backward, away, almost in perfect order. It’s all there
To interrupt your speaking. There is no other use to the past
Until those times when, driving abruptly off a road
Into a field you sit still and conjure the hours.
It was for this we made the small talk, the lies,
And whispered them over to give each the smell of truth,
But now, like biting devalued currency, they become possessions
As the stars come out. And the ridiculous machine
Still trickles mottoes: “Plastered again …” “from our house
To your house …” We wore these for a while, and they became us.
Each day seems full of itself, and yet it is only
A few colored beans and some straw lying on a dirt floor
In a mote-filled shaft of light. There was
Christina Mulligan, David G. Post, Patrick Ruffini , Reihan Salam, Tom W. Bell, Eli Dourado, Timothy B. Lee