room. Yes,
And you have created it by going away. Somewhere, someone
Listens for your laugh, swallows it like a drink of cool water,
Neither happy nor aghast. And the stance, that post standing there, is you.
Introduction
To be a writer and write things
You must have experiences you can write about.
Just living won’t do. I have a theory
About masterpieces, how to make them
At very little expense, and they’re every
Bit as good as the others. You can
Use the same materials of the dream, at last.
It’s a kind of game with no losers and only one
Winner—you. First, pain gets
Flashed back through the story and the story
Comes out backwards and woof-side up. This is
No one’s story! At least they think that
For a time and the story is architecture
Now, and then history of a diversified kind.
A vacant episode during which the bricks got
Repointed and browner. And it ends up
Nobody’s, there is nothing for any of us
Except that fretful vacillating around the central
Question that brings us closer,
For better and worse, for all this time.
I See, Said the Blind Man, as He Put Down His Hammer and Saw
There is some charm in that old music
He’d fall for when the night wind released it—
Pleasant to be away; the stones fall back;
The hill of gloom in place over the roar
Of the kitchens but with remembrance like a bright patch
Of red in a bunch of laundry. But will the car
Ever pull away and spunky at all times he’d
Got the mission between the ladder
And the slices of bread someone had squirted astrology over
Until it took the form of a man, obtuse, out of pocket
Perhaps, probably standing there.
Can’t you see how we need these far-from-restful pauses?
And in the wind neighbors and such agree
It’s a hard thing, a milestone of sorts in some way?
So that the curtains contribute what charm they can
To the spectacle: an overflowing cesspool
Among the memoirs of court life, the candy, cigarettes,
And what else. What kind is it, is there more than one
Kind, are people forever going to be at the edge
Of things, even the nice ones, and when it happens
Will we all be alone together? The armor
Of these thoughts laughs at itself
Yet the distances are always growing
With everything between, in between.
Edition Peters, Leipzig
Another blueprint: some foxing, woolly the foliage
On this dusky shrine
Under the glass dome on the spinet
To make it seem all these voices were once one.
Outside, the rout continues:
The clash erupting to the very door, but the
Door is secure. There is room here still
For thoughts like ferns being integrated
Into another system, something to scare the night away,
And when morning comes they have gone, only the dew
Remains. What more did we want anyway?
I’m sorry. We believe there is something more than attributes
And coefficients, that the giant erection
Is something more than the peg on which our lives hang,
Ours, yours … The core is not concern
But for afternoon busy with blinds open, restless with
Search-and-destroy missions, the approach to business is new
And ancient and mellow at the same time. For them to gain
Their end, the peace of fireworks on a vanishing sky,
We have to bother. Please welcome the three insane interviewers
Each with his astrolabe and question.
And the days drain into the sea.
37 Haiku
Old-fashioned shadows hanging down, that difficulty in love too soon
Some star or other went out, and you, thank you for your book and year
Something happened in the garage and I owe it for the blood traffic
Too low for nettles but it is exactly the way people think and feel
And I think there’s going to be even more but waist-high
Night occurs dimmer each time with the pieces of light smaller and squarer
You have original artworks hanging on the walls oh I said edit
You nearly undermined the brush I now place against the ball field arguing
That love was a round place and will still be there two years from now
And it is