not a main character. He is a wise councilor and a wonder worker in the fashion of Merlin. He never does anything more magical than throw a pinecone full of napalm at a warg, lock a door, break a bridge, or hold up his staff to forbid an unclean spirit entrance into a gateway. He is roughly as magical as your average Army chaplain who carries a flamethrower.
In the movie, however, the wizard is a main character who faces another main character, also a wizard, in a duel of magic. The results are lame and stupid because the audience sees a bunch of meaningless lightshow effects, with no idea of what allows either side to win or lose. I felt like astronaut Bowman entering the spacewarp of the monolith in Kubrick's
2001 A Space Oddysey
. Wow. Pretty lights.
My only consolation is that this lame duel of magic was nowhere near as lameriffic as the wizard duel between Gandalf and Saruman in
Fellowship
, which consisted of old men flying about on wires slamming each other into walls with their Green Lantern-style telekinesis.
This also was the main drawback of the
Harry Potter
movies, by the way. In the final duel between Harry and his Dark Lord, (same job, different guy), they point their wands at each other. Then they grimace. Then they point their wands at each other even harder.
Bilbo is not onstage during all this. Where is the Hobbit in this film, allegedly called
The Hobbit
, again?
Ah, but then we see Bilbo. After his friends are captured by wood elves, using his ring of invisibility, he sneaks into the buried palace of the elf lord. Unseen, his wily eyes spy out that the elves drink wine imported from Laketown, and float the empty barrels downstream as part of their trade and traffic with the human settlement.
He waits until the jailor is drunk, steals the keys, frees the dwarves, and, instead of attempting to sneak them past the heavily guarded upper gates, takes the dwarves to the loading dock beneath the wine cellar, seals them in the barrels, and clings, still unseen, to a barrel himself as the unsuspecting elf prentices pole the empty barrels downstream to Laketown. It is simple and brilliant. Unfortunately, he gets a wetting, and takes a headcold: a little bit of realism, if not comedy relief.
Oh, no, wait. That is not what happens.
Just then, just when I thought I would be free from the repeated blows to my tender head of the Stupidity Hammer, the Stupidity Hammer rose up from the shining screen, drew back, whirled hugely, and with great force and might and main slammed me right between the eyes so my brain squirted out my ears a yard past my shoulders in both directions.
Bilbo does not seal the barrels.
I will wait for you to recover in case you just got the sensation of a Stupidity Hammer clonking you from the page. Then I will repeat myself, because it is so dumb you might not believe me:
Bilbo does not seal the barrels. He leaves the tops open.
So the dwarves are perfectly visible, by which I mean visible to the eye, by which I mean not hidden. By which I mean people with eyeballs can see them, such as the elf-people from whom they are allegedly trying to escape.
Bilbo leaves the barrel tops open when he is dumping the barrels into the water, which is a substance, so I am given to believe, that enters openings and makes things wet inside, and sometimes even sinks things.
Now the Thirteen Stupid Dwarves and One Stupid Hobbit are floating away on the smooth and placid river. Ah, but with another and fiercer blow of the Stupidity Hammer, I now see that the river is a rock-filled rushing rapids of white water which no one would ever float barrels down as part of their trade and commerce, and which is guarded by a water-gate that stupidly cannot be lowered in time, and which is prone to sudden attacks for no reason by hordes of stupid goblins, so that an endless, endless three-way battle erupts between the barrel-dwarves, the dancing and skipping acrobat elf archers (including their young women!) and the
Barbara Boswell, Lisa Jackson, Linda Turner