picture of me, leaving the hotel in Pera, the sun on my face and phone in my hand, for I was young and rich and beautiful, and if these qualities lend themselves to one thing, it is the making of quick and easy friends. I remembered that day, that sunshine, that dress. It had been three days before I was gunned down on the steps of Taksim station, shot by a stranger. For three days they’d watched me leading my life, until they were ready to make the kill.
My nails dug into the palm of my hand, and I let them dig. A little blood, right now, wouldn’t go entirely amiss.
I flipped through to the report on Josephine. A violent mother who swore she loved her daughter and wept on Josephine’s shoulder every time she was released from jail. A boyfriend who’d told her that it was OK if she slept with his friends; in fact, he needed the money to pay for all the pretty things he’d bought her. A flight to Frankfurt, a flight from everything, thirty-two euros in her pocket and the author had no doubt she’d intended a better life, a good life for herself, but it seemed that Josephine’s situation was untenable until the entity known as Kepler arrived and offered her money for murder.
I stopped.
A list of the dead. Dr Tortsen Ulk, drowned in his own toilet. Magda Müller, stabbed to death in her kitchen by a stranger, her daughters asleep upstairs. James Richter and Elsbet Horn, found in each other’s arms, their eyes ripped out and insides spread across the floor of the cabin of the little boat they were sailing up the Rhine. Though the police had never linked the killings, lamented the author, we have done so, for these victims were part of us, and it was by Josephine’s hand, and at Kepler’s command, that they all died.
I read the words once and, not sure I had understood, read again.
They were no different on the second look, and no less lies.
The Belgrade train shrieked like a metal mother-in-law, white sparks bursting from its wheels as it crawled to a halt in Kapikule. A few lights were still on behind the blinds of the couchettes. Doors opened here or there, thick orange panels swinging out, metal stairs dropping down. The train had once been orange and blue, Bulgarian Railways’ finest. That colour was long since lost, obscured beneath layers of spray paint, the pride of the line overwritten by the pride of the kids who haunted the terminals at either end of the line. I smelt urine from the toilet that guarded the door, heard the illicit pressure pump of a passenger committing that ultimate offence – flushing while in the station – and turned to find my cubicle.
A cabin for six, four of the beds already taken. A husband, wife, teenage son occupied three; in the other was an old man who chewed something herbal with the circular grinding of a camel’s jaw and lay on his back to read articles about ancient cars and journeys through the east. The family had a makeshift feast, which they passed up and down the three-bunk tier they inhabited. Hard-boiled eggs, slices of ham, pieces of goats’ cheese, crumbling bread that shook golden shards across the floor. With every crunch of the knife through the loaf, the old man with the car magazine flinched, as if the blade were cutting bone.
I climbed into the top bunk as the train jerked into motion, put my bag of clothes beneath my head, my bag of weapons beneath my feet, and lay back to think. Metal bunk below, plastic ceiling above, the space between barely wide enough for a tomb.
No one came to check the passports.
Chapter 14
There are many ways to catch a ghost sitting in the body of a loved one. Basic questions – name, age, father’s name, mother’s name, university – can be answered by any well-informed inhabitant, but it takes a matter of minutes to probe a little deeper.
First place you lived when you left the family home?
Name of your primary school headmistress.
First girl you ever kissed.
Or – my personal favourite – can you
Susan Aldous, Nicola Pierce