Read Three by Cain: Serenade, Love's Lovely Counterfeit, the Butterfly for Free Online Page A

Acapulco is the way we’re going. I looked it up.”
    “We go for Mamma.”
    “… What was that you said?”
    “Yes. Mamma will cook. She cook for us. For the house in Acapulco.”
    “Oh, I see.”
    “Mamma cook very nice.”
    “Listen. I haven’t had the honor of meeting Mamma, butI’ve just got a hunch she’s not the type. Not for the high-class joint we’re going to run. I tell you what. Let’s get down there. If worse comes to worst, I’ll cook. I cook very nice, too. I studied in Paris, where all the good cooks go when they die.”
    “But Mamma, she have the viveres.”
    “The what?”
    “The food, what we need. I send Mamma the money, I sent last week. She buy much things, we take. We take Mamma, Papa. All the viveres.”
    “Oh, Papa too.”
    “Yes, Papa help Mamma cook.”
    “Well, will you tell me where you, me, Mamma, Papa, and the viveres are going to ride? By the way, do we take the goat?”
    “Yes, this way, please.”
    It was her car, and I turned into the road. I had gone about a hundred yards when the wheel jerked out of my hands and I had to stamp on the brake to keep from going down a gully that must have been two hundred feet deep. I mean, it was that rough, and it didn’t get any better. It was uphill and down, around rocks the size of a truck, through gullies that would have bent the axles of anything but a Ford, over cactuses so high I was afraid they would foul the transmission when we went over them. I don’t know how far we went. We drove about an hour, and the rate we were moving, it might have been five miles or twenty, but it seemed more like fifty. We passed a church and then a long while after that, we began to pass Mexicans with burros, hurrying along with them. That’s a little point about driving in Mexico they don’t tell you about. You meet these herds of burros, going along loaded up with wood, fodder, Mexicans, or whatever it is. The burro alone doesn’t give you much trouble. He knows the rules of the road as well as you do, and gets out of the way in time, even if he’s a little grouchy about it. But if he’s got a Mexican herding him along, you can bet on it that that Mexican will shove him right in line with your fender and you do nothing but stand on your brake and curse and sweat and cake up with their dust.
    It was the way they were hurrying along, though, that wokeme up to what it looked like outside. The heat and dust were enough to strangle you, but the clouds were hanging lower all the time, and over the tops of the ridges smoky scuds were slipping past, and it didn’t look good. After a long time we passed some huts, by twos and threes, huddled together. We kept on, and then we came to a couple more huts, but only one of them seemed to have anybody in it. She reached over and banged on the horn and jumped out, and ran up to the door, and all of a sudden there was Mamma, and right behind her, Papa. Mamma was about the color of a copper pot, all dressed up in a pink cotton dress and no shoes, to go to Acapulco. Papa was a little darker. He was a nice, rich mahogany after it’s had about fifteen coats of dark polish. He came out in his white pajama suit, with the pants rolled up to his bare knees, and took off his big straw hat and shook hands. I shook hands. I wondered if there had been a white iceman in the family. Then I pulled up the brake and got out.
    Well, I said she ran up to the door, but that wasn’t quite right. There wasn’t any door. Maybe you never saw an Indian hut, so I better tell you what it looks like. You can start with the colored shanties down near the railroad track in New Orleans, and then, when you’ve got them clearly in mind, you can imagine they’re the Waldorf-Astoria Hotel, and that the Mexican hut is a shanty standing beside it. There’s no walls, or roofs, or anything like you’re used to seeing. There’s four sides made of sticks, stuck down in the ground and wattled together with twigs, about as high as a