were talking about someone else. Emma had a vague memory of shouting things at a crowd of people, but it didnât seem real. She felt so dim and underwater now, it was hard to believe sheâd been like what the nurse said. She struggled to wake herself, to free her brain from the rolls of cotton wool wrapped around it.
The policeman took out a notebook.
âWould it help,â he said, licking his finger, âif I repeated back to you what you told the paramedics at the scene? Clarify what weâve managed to gather so far?â
âPlease,â Emma begged him. âPlease do.â
The policeman flipped through the notebook until he came to the right page.
âYour name,â he said, âis Emma Turner, and you are aged twenty-five?â
âYes.â
âAnd RichardâRitchieâyour child, is one?â
âYes. Last month.â
âGood. So. You met this woman . . . Antonia?â
âYes.â
âAnd you were talking to her in the café, and then you went to the bathroom and when you came out, she and the child were gone?â
âYes. Yes.â The cotton wool lifted. She was there, in the café, and Ritchie was holding his arms out to her, smiling and saying: âMuh.â It was so real she almost cried out, lifting her hand to touch him.
âNow, if I could just clarify.â The policeman tapped his notebook. âBecause this is where things become a little confusing.â
He cleared his throat and looked at Emma. âWhose child was it that the woman took?â
Emma gaped at him in astonishment. âMine.â
âYouâre quite sure about that? Youâre sure the child didnât belong to the other woman?â
âOf course Iâm sure.â Bewildered, Emma looked at the nurse for help. Why was he saying this? âThere were witnesses. Ask them.â
âWe already have, Ms. Turner. This is where their version differs from yours. The general impression from the witnesses we spoke to in Mr. . . . er . . . Bapâs seems to have been that this lady and the child came into the café together, and that you approached them .â
âNo.â Emma struggled to sit up in the bed. âThatâs wrong. Weâd met each other already. In the tube station.â
âYes, that is correct. You had previously approached this lady and her child at Whitechapel station. A staff member witnessed that, a guard at the barrierââ
âWhat?â
âYou went to the guard and reported to him that you had lost your bag. When you spoke to him, you were on your own, no child, no buggy . . .â
âNo!â
â. . . You then left him and approached a woman at the entrance to the station who was with her child. You seemed to be asking her for money, and she gave you . . . Please, Ms. Turner. Iâm just summing up whatâs been said. She gave you some money, then she left you and went into the café. Some minutes later, you were seen to approach her again. At this point, there was some kind of argument. You went to the bathroom, and the lady left with her child.â
He looked up.
âIs that what happened?â
âNo!â Emma cried. âIt is not what happened. Ritchie is my child.â
âAll right, Ms. Turner. Try to stay calm. Iâm here to hear your side of the story.â
Emmaâs breathing was harsh and rapid. She couldnât control it; it was like she was having an asthma attack. Her mouth was filled with saliva. She couldnât swallow. The spit was dripping out of her, onto the pillow. The nurse put a bowl in front of her.
âBreathe slowly,â she advised, rubbing Emmaâs shoulder.
Emma spat into the bowl, smelling bile and plastic. She forced herself to breathe properly. Everything was coming back to her now, the cotton-wool veil over her mind split by great, jagged