characters or the source.
A kettle hung above the fire, suspended from a chain attached to the ceiling beams. Chou removed the kettle and knelt beside a teapot and a tray of porcelain cups.
âThree cups, but the girl is alone in the room,â Father Mateo whispered in Hiroâs ear. âSatsu knew we would return.â
Hiro had noticed that too, and didnât like it.
âMay I offer you gentlemen tea?â Satsu asked.
âNo,â Hiro said. âJust take us to the body.â
Satsu bowed. âAs you wish, sir. Please follow me.â
He led them to a sliding door on the eastern side of the room, pulled it open, and stepped away so Hiro and Father Mateo could enter first.
A brazier cast a golden light across the room where Emi lay. Inexpensive tatami filled the air with the scent of grasses. A hint of sandalwood incense also lingered in the room, but faintly, like the ghost of a prayer almost forgotten.
Emiâs body lay on a woven mat at the center of the tiny room. Nori knelt beside her daughter, head bowed down in grief.
âNori,â Satsu said, âplease leave us. Chou will pour you tea.â
The woman rose, bowed deeply to Hiro and Father Mateo, and left the room without a word.
Hiro walked to the body and bent to examine Emiâs corpse.
The grass stains streaking the sides of Emiâs kimono barely showed in the brazierâs flickering light. Hiro would have missed them if he hadnât known to look. He pulled at the girlâs kimono enough to reveal that the grass stains continued onto the back of the garment.
âWhat do you see?â Father Mateo asked.
Hiro withdrew his hand and gestured. âGrass stains, hereâand on her back. The killer must have held her arms and dragged the body along the ground.â
âHow can you tell?â the Jesuit asked.
âNo stains on the sleeves,â Hiro said, âand none on her shoulders, suggesting those parts of her body didnât touch the ground while she was moved.â
He didnât mention, but did observe, that the stains conflicted with Jiroâs story, unless the killer lured the girl away and then returned her corpse to Jiroâs side without him waking up.
Hiro saw no open wounds on Emiâs hands, but noted a pair of broken fingernails.
Father Mateo shuddered. âDo you know what happened to her eyes?â
The crimson blooms in the whites of her eyes retained their shocking impact even in the darkened room.
âStrangulation,â Hiro said. âIt is common, in such cases, for the victimâs eyes to bleed.â
Satsu nodded, confirming the words.
âYouâve seen it before?â the Jesuit asked.
âItâs worse when the victim struggles,â Hiro said. âShe struggled hard.â
Father Mateo turned away.
âHer neck confirms she died by strangulation,â Hiro said. âThe marks from the leather strap, and the bruising. Also, see the scratch marks here, and thereââhe gestured to vertical scratches on Emiâs neckââshe tried to get away, but failed. Her fingernails made those moon-shaped cuts as she struggled to free herself from the killerâs grip.â
Father Mateo didnât answer. Hiro wondered why the Jesuit wouldnât look at the murdered girl, though he doubted the priestâs objections matched his own. Hiro considered strangulation messy, slow, and painful. He preferred a faster, simpler method when he had to kill.
Gentle footsteps approached the room. Chou appeared in the doorway, bowed, and stood at her fatherâs side.
âShow me the coin,â Hiro said.
âI tucked it back where I found it,â Satsu said, âbeneath her clothes.â He turned to his daughter. âShow him, Chou.â
The girl approached and knelt on the opposite side of her sisterâs body. She bowed her forehead to the floor. âWill you permit me to assist you, sir?â
Hiro