made a noise to show assent.
Chou rose to a sitting position, but kept her face turned down to show respect. She tenderly slipped the end of the thong from under Emiâs garment. As Satsu described, the leather strip passed through a hole at the center of a golden coin, allowing the coin to serve as a makeshift pendant.
Hiro spoke to Father Mateo. âThe width of the leather strip is a match to the injuries on the victimâs neck.â He looked at Satsu. âI will take the leather with meâalong with the coin.â
Satsu nodded. âAs you wish, sir.â
Chou attempted to untie the leather strip from her sisterâs neck. The knot that bound the thong had tightened, possibly during the murder; it proved difficult to loosen. When she finally freed the leather, Chou offered it to Hiro with both hands.
âDo you know where your sister got this?â Hiro asked as he accepted the coin.
Chou shook her head but did not look up. Somethingâlikely her motherâs slapâhad made her remember that actorsâ daughters did not speak boldly to samurai.
âShe didnât tell you about it?â Satsu asked. âYou are certain of this?â
âI never saw it . . . before . . .â Chouâs voice trailed off, and her eyes filled with tears as she looked at her sisterâs body.
Satsu gave Hiro a meaningful look. Chouâs answer reinforced his assertion that Emi had not owned a golden coin.
Hiro retied the knot to keep the coin from sliding off and tucked the coin and thong into his sleeve. âWhy did your sister go to the river yesterday, in the evening?â
âWith respect, we did not know she went there,â Satsu said.
âI did not ask you.â Hiro let an edge of frustration creep into his voice. âI asked your daughter.â
CHAPTER 9
âShe wouldnâtââ Satsu began, but stopped as Chou began to speak.
âSometimes Emi had trouble sleeping. She walked by the river to clear her head.â Chou turned to her father and bowed her face to the tatami. âI am so sorry. I should have told you.â
Rapid footsteps thumped in the outer room.
Hiro drew his sword and leaped to the doorway. He pressed the katanaâs blade to the neck of the man who appeared in the entrance.
The newcomer froze, terrified by the unexpected steel against his skin. His eyes went wide, but he did not move or speak.
âWho are you?â Hiro demanded.
The man had a delicate build, effeminate features, and a mane of shimmering hair that nearly reached his waist. His narrow chin could not yet grow a beard.
He straightened. âI am Yuji, shite of the Yutoku-za.â His red-rimmed eyes had the look of recent tears.
Hiro did not like the arrogant tone in the young manâs voice. âYou lie. The shite of this troupe is named Botan.â
âI am his eldest apprentice, betrothed to his granddaughter,â Yuji said.
Satsu bowed. âIt is the truth.â
Father Mateo extended his hands to Yuji. âI am so sorry for your loss.â
Hiro narrowed his eyes but sheathed his sword.
âMy loss?â Yuji looked confused and frightened in equal measure.
âYou havenât heard? Oh . . .â Father Mateo ran a hand through his hair. âI am so sorry.â
Understanding transformed Yujiâs face. âI am betrothed to Botanâs eldest granddaughterâChou.â After a pause, he added, âNot that Emiâs death does not upset me.â
âWhy were you running?â Hiro asked.
Yujiâs eyes filled with tears as he saw the corpse. âI learned of the tragedy only now, after I finished my lesson with Master Botan. I had to see . . .â He raised a hand to his mouth and shook his head.
âI told Haruâmy sonâto wait outside the practice room and deliver the message after the lesson finished,â Satsu said.
Father Mateo