into tumult, and before Timothy
could even blink, the shadows had
disappeared, the gold idols had become lifeless,
and Abigail had become herself again.
She turned toward the voice, which had come
from the entry opposite the velvet rope, and
this time it was her turn to wear an expression
of shock. There stood an old woman.
Her voice wavering, Abigail replied,
“Gramma? What are you doing here?”
8.
The old woman was tal . She wore a knee-
length navy pea-coat, a oral blouse, and
polyester pants. Tufts of dark gray hair curled
out from underneath a oppy houndstooth hat,
the brim of which fel in waves around the
edge of her face like the petals of a ower. She
had a long, regal nose and large, wide-set
brown eyes. She seemed truly surprised, almost
shocked, to nd Timothy and Abigail in the
basement of the museum.
“What am I doing here?” said the woman
addressed as “Gramma.” “My dear, I feel I
should ask you the same thing. Aren’t you
supposed to be in school?” She sounded more
confused than concerned, as if she were
worried that she might be seeing things.
Timothy knew the feeling.
The sight of the woman in the entrance had
been enough to make Timothy momentarily
been enough to make Timothy momentarily
forget about the shadowy gure in the other
door. But when he heard brisk footsteps
scu ng away, he turned his head once more to
look. The tal man in the long overcoat was
gone, but a smal book lay on the oor where
he had stood.
Had he imagined the whole thing? Was he
imagining stil ?
“My class is here on a eld trip today,” said
Abigail. “Mom signed the permission slip last
week. Remember?” She ran to meet the woman
in the doorway, leaving Timothy alone among
the glass cases and wide-eyed artifacts.
He could not take his eyes o the book on
the floor beyond the rope. He cautiously moved
toward it. It lay on the ground a few feet past
the door.
“Why, you’re al wet, Abigail,” said her
grandmother. “Didn’t you think to bring an
umbrel a? It’s been raining to end the world for
the past few days.”
Abigail stammered as Timothy ducked
Abigail stammered as Timothy ducked
underneath the velvet rope, “I—I forgot.”
“Wel , you can take mine with you when you
go. My old raincoat does quite wel in weather
like this. Of course, the cab picked me up in
front of the apartment building, so I didn’t have
to walk to the bus stop like you did. Regardless
…”Timothy crawled into the dark administrative
hal way. The book lay just out of reach. Beyond
it was cold, unblinking darkness. Timothy was
terrified to go any farther.
He could make out the cover—something
about a corpse. The hal way seemed to close in
as he inched forward, his ngers reaching the
book.
“Timothy? What are you doing?”
He nearly screamed as he spun around to
nd Mr. Crane and one of the security guards
standing in the doorway next to Abigail and her
grandmother. He slid back underneath the
velvet rope and struggled to rise, clutching the
book behind his back. Slipping it underneath
book behind his back. Slipping it underneath
his shirt and into the lip of his pants, he said, “I
dropped a penny.”
“Please … come away from there,” said Mr.
Crane to Timothy, before noticing the stranger
beside Abigail. “Are you …? You’re not a
chaperone.”
The old woman shook her head. “Thank you
for let ing me know.”
“I’m sorry,” said Mr. Crane, flustered.
“Please don’t be,” she replied. “I’m Abigail’s
grandmother.
Zilpha
Kindred.
Funny
coincidence meeting like this. If I’d
remembered you were planning a trip to the
museum, I would have tagged along for the
ride. As it is, I took a cab. I have particular
business to at end …” She glanced at Abigail,
who seemed to have taken an interest in
picking a piece of dirt out from underneath her
ngernail. “Never mind. Carry on. Pretend I’m
invisible.”
Mr.
Madison Layle & Anna Leigh Keaton
Shawn Underhill, Nick Adams