case.”
“Just in case of what?” I asked.
“That’s my pager. Just give it a tap and I’ll be right over,” she said and laughed as she walked away.
Now, I’ll tell you that I haven’t used the thing. In fact, Big Mom died a couple years back and I’m not sure she’d come even if the thing did work. But I keep it really close to me, like Big Mom said, just in case. I guess you could call it the only religion I have, one drum that can fit in my hand, but I think if I played it a little, it might fill up the whole world.
BECAUSE MY FATHER ALWAYS SAID HE WAS THE ONLY INDIAN WHO SAW JIMI HENDRIX PLAY “THE STAR-SPANGLED BANNER” AT WOODSTOCK
D URING THE SIXTIES , MY father was the perfect hippie, since all the hippies were trying to be Indians. Because of that, how could anyone recognize that my father was trying to make a social statement?
But there is evidence, a photograph of my father demonstrating in Spokane, Washington, during the Vietnam War. The photograph made it onto the wire service and was reprinted in newspapers throughout the country. In fact, it was on the cover of Time .
In the photograph, my father is dressed in bell-bottoms and flowered shirt, his hair in braids, with red peace symbols splashed across his face like war paint. In his hands my father holds a rifle above his head, captured in that moment just before he proceeded to beat the shit out of the National Guard private lying prone on the ground. A fellow demonstrator holds a sign that is just barely visible over my father’s left shoulder. It read MAKE LOVE NOT WAR .
The photographer won a Pulitzer Prize, and editors across the country had a lot of fun creating captions and headlines. I’ve read many of them collected in my father’s scrapbook, and my favorite was run in the Seattle Times . The caption under the photograph read DEMONSTRATOR GOES TO WAR FOR PEACE . The editors capitalized on my father’s Native American identity with other headlines like ONE WARRIOR AGAINST WAR and PEACEFUL GATHERING TURNS INTO NATIVE UPRISING .
Anyway, my father was arrested, charged with attempted murder, which was reduced to assault with a deadly weapon. It was a high-profile case so my father was used as an example. Convicted and sentenced quickly, he spent two years in Walla Walla State Penitentiary. Although his prison sentence effectively kept him out of the war, my father went through a different kind of war behind bars.
“There was Indian gangs and white gangs and black gangs and Mexican gangs,” he told me once. “And there was somebody new killed every day. We’d hear about somebody getting it in the shower or wherever and the word would go down the line. Just one word. Just the color of his skin. Red, white, black, or brown. Then we’d chalk it up on the mental scoreboard and wait for the next broadcast.”
My father made it through all that, never got into any serious trouble, somehow avoided rape, and got out of prison just in time to hitchhike to Woodstock to watch Jimi Hendrix play “The Star-Spangled Banner.”
“After all the shit I’d been through,” my father said, “I figured Jimi must have known I was there in the crowd to play something like that. It was exactly how I felt.”
Twenty years later, my father played his Jimi Hendrix tape until it wore down. Over and over, the house filled with the rockets’ red glare and the bombs bursting in air. He’d sit by the stereo with a cooler of beer beside him and cry, laugh, call me over and hold me tight in his arms, his bad breath and body odor covering me like a blanket.
Jimi Hendrix and my father became drinking buddies. Jimi Hendrix waited for my father to come home after a long night of drinking. Here’s how the ceremony worked:
1. I would lie awake all night and listen for the sounds of my father’s pickup.
2. When I heard my father’s pickup, I would run upstairs and throw Jimi’s tape into the stereo.
3. Jimi would bend his guitar into the first note
Jeff Benedict, Armen Keteyian