know how you found me, but Iâm not giving you another red cent for that overpriced skirt you said I damaged.â
Fury gripped her. Ellie drew herself up to her full height of five foot two inches and leaned toward the fool, ready to...to...muss his hair. âFor your information, you big klutz, I have no idea who you are and I havenât been looking for you.â She lowered her voice to a hiss. âIâm here to see a client and I hope you scram before he gets here because Iâd like to make a good impression.â
Blue eyes blazed into green ones as the silence mounted. Behind them, Monica hung up the phone and coughed politely. âExcuse me, Mr. Blackwell.â
Ellie heard the name and the pieces fell into place. She felt the blood drain from her face. âYou?â she whispered.
âMe, what?â he asked impatiently.
âYouâre Marcus Blackwell?â
âMark Blackwell,â he corrected. Turning to Monica, he asked, âWhatâs going on here?â
âThis is Ellie Sutherland, sir. Sheâs here about your portrait.â
He frowned and threw up his hands in a gesture of frustration. âIâm lost.â
âDidnât Mr. Ivan tell you? Your portrait will go up in the boardroom beside the other partnersâ.â
Mark Blackwell glanced from Ellie to his secretary. Ellie relaxed her stance and offered him an exaggerated shrug, smiling wryly.
âIâm not prepared for this,â he said finally, in a guarded tone.
Ellie gave him a shaky smile. âThis isnât litigationâthereâs nothing to prepare for.â
He looked at her, chewing his lip. Obviously Mark Blackwell stood in unfamiliar territory, and didnât like it one bit. His eyes narrowed. âAnd how, may I ask, did you get involved?â
Ellie smiled brightly. âIâm an artist.â
Mark rolled his eyes and sighed mightily. âWhy doesnât that surprise me?â
She glared. âWhatâs that supposed to mean?â
He waved dismissively. âForget it, umâwhat did you say your name was?â
âEllie,â she said with growing impatience. âEllie Sutherland.â
He ran his fingers through his hair, a gesture she recognized from the deli incident. âWell, Ms. Sutherland, perhaps we can discuss this, er, project in my office.â He swept his arm toward a door a few steps away and motioned for Ellie to precede him.
She stood her ground. âAfter you.â
He pursed his lips, then turned and walked toward the door.
Ellie noticed the painting as soon as she entered the huge masculine room. She walked over to it, soaking up the familiar shapes and colors. An afternoon in the park. A cliché, really, but her first truly good piece. There had been others since, additional impressionistic renditions of city landmarks, but she had been especially proud of Piedmont Park and the price it had brought. She lifted a finger, and almost touched the canvas. âNice picture,â she murmured.
âNice purse,â he said sarcastically.
Ellieâs hand flew to her bag as her eyes swung across the room to his feet. They were big feet, wearing nice black leather loafers with tight little tassels.
âDo you make a practice of skulking in menâs washrooms, Ms. Sutherland?â
She felt a blush start at her knees and work its way up. She raised her scorching chin indignantly. âCertainly not. I told you, I didnât know it was the menâs room.â
âSure.â He smiled a disbelieving smile, then leaned on the front of his desk. âNow then, what do you need from me?â
Ellie turned and took a step toward him. Their eyes locked. And just like that, something passed between them. At least she felt it.
A shiver ran up her back, and a low hum sounded in her ears. Looking at him, she realized sheâd done a shamefully good job of capturing his features for the caricature.
Dick Lochte, Christopher Darden