partner in the businessâand, of course, the top execs and the comptroller at Darwin Press knew. He had to know, because George could write novels in longhand, but he had this little problem endorsing checks. And of course, the IRS had to know. So Liz and I spent about a year and a half waiting for somebody to blow the gaff. It didnât happen. I think it was just dumb luck, and all it proves is that, when you think someone has just got to blab, they all hold their tongues. â
And went on holding them for the next ten years, while the elusive Mr. Stark, a far more prolific writer than his other half, published another three novels. None of them ever repeated the blazing success of Machineâs Way, but all of them cut a swath up the best-seller lists.
After a long, thoughtful pause, Beaumont begins to talk about the reasons why he finally decided to call off the profitable charade. âYou have to remember that George Stark was only a paper man, after all. I enjoyed him for a long time . . . and hell, the guy was making money. I called it my fââyou money. Just knowing I could quit teaching if I wanted to and go on paying off the mortgage had a tremendously liberating effect on me.
âBut I wanted to write my own books again, and Stark was running out of things to say. It was as simple as that. I knew it, Liz knew it, my agent knew it . . . I think that even Georgeâs editor at Darwin Press knew it. But if Iâd kept the secret, the temptation to write another George Stark novel would eventually have been too much for me. Iâm as vulnerable to the siren-song of money as anyone else. The solution seemed to be to drive a stake through his heart once and for all.
âIn other words, to go public. Which is what I did. What Iâm doing right now, as a matter of fact. â
Thad looked up from the article with a little smile. All at once his amazement at People âs staged photographs seemed itself a little sanctimonious, a little posed. Because magazine photographers werenât the only ones who sometimes arranged things so theyâd have the look readers wanted and expected. He supposed most interview subjects did it, too, to a greater or lesser degree. But he guessed he might have been a little better at arranging things than some; he was, after all, a novelist . . . and a novelist was simply a fellow who got paid to tell lies. The bigger the lies, the better the pay.
Stark was running out of things to say. It was as simple as that.
How direct.
How winning.
How utterly full of shit.
âHoney?â
âHmmm?â
She was trying to wipe Wendy clean. Wendy was not keen on the idea. She kept twisting her small face away, babbling indignantly, and Liz kept chasing it with the washcloth. Thad thought his wife would catch her eventually, although he supposed there was always a chance she would tire first. It looked like Wendy thought that was a possibility, too.
âWere we wrong to lie about Clawsonâs part in all this?â
âWe didnât lie, Thad. We just kept his name out of it. â
âAnd he was a nerd, right?â
âNo, dear. â
âHe wasnât?â
âNo,â Liz said serenely. She was now beginning to clean Williamâs face. âHe was a dirty little Creepazoid. â
Thad snorted. âA Creepazoid?â
âThatâs right. A Creepazoid. â
âI think thatâs the first time I ever heard that particular term. â
âI saw it on a videotape box last week when I was down at the corner store looking for something to rent. A horror picture called The Creepazoids. And I thought, âMarvelous. Someone made a movie about Frederick Clawson and his family. Iâll have to tell Thad. â But I forgot until just now. â
âSo youâre really okay on that part of it?â
âReally very much okay,â she said. She pointed the hand holding the