answering quietly, âItâs only a saying that He was six feet tall. Does it matter very much? Did you never hear it?â
âOf course I heard it,â he cried, beside himself. âIâm not deaf, unfortunately. If you listened long enough to everything said around here youâd soon hear the Devil himself talkinâ.â
Then he grew quieter and said without passion, as ifbrooding, âSurely youâre not gettinâ like the rest of them, girl?â
She drew closer. She felt herself no longer a woman growing old. She wasnât conscious of herself any more, of whatever beauty had been left her any more than her infirmities, for she was needed.
âNo, but does it matter what they say?â she said. âHadnât the night to pass?â
The night had to pass, but not in that manner, was how he reacted. He turned towards the radio that stood on a small shelf of its own, some bills and letters scattered beside its wet battery, between the sideboard and curtained medicine press.
âSuch rubbish to have to listen to,â he muttered. âAnd in front of the childer.⦠And the same tunes night-in, night-out, the whole bloody year round.â
He switched on the radio. The Sweepstake programme was ending. To soft music a honeyed voice was persuading, âIt makes no difference where you areâYou can wish upon a star.â
It should all make you want to cry. You were lonely. The night was dark and deep. You must have some wish or longing. The life you lead, the nine to five at the office, the drudgery of a farm, the daily round, cannot be endured without hope.
âSo now before you sleep make up your mind to buy a Sweepstake ticket and the first prize of £50,000 out of a total of £200,000 in prizes on this yearâs Grand National may be yours.â
The music rose for the young night. It was Venice, the voice intoned. There was moonlight on the sleeping canals as the power of longing was given full sway. A boy and a girl drift in their boat. There is a rustle of silken music from the late-night taverns. They clasp each otherâs hands in the boat. The starlight is in her hair and his face is lifted to hers in the moonlight. He is singing softly and his voice drifts across the calm water. It is Venice and their night of love.â¦
In spite of themselves they felt half-engulfed by this inducedflood of sentimentality and sick despair. Reegan switched it off as the speaking voice faded for a baritone to ease the boyâs song of love into the music. The house was dead still.
âThe news is long over,â he said. âAre ye all ready for the prayers? We should have them said ages ago.â
He took a little cloth purse from his watch pocket and let the beads run into his palm. He put a newspaper down on the cement and knelt with his elbows on the table, facing his reflection in the sideboard mirror.
Elizabethâs and the childrenâs beads were kept in an ornamental  white vase on the dresser. Willie climbed on a chair to get them from the top shelf. Elizabethâs beads were a Franciscan brown, their own pale mother-of-pearl with silver crosses that theyâd been given for their First Communion.
They blessed themselves together and he began:
â Thou, O Lord, will open my lips â,
â And my tongue shall announce Thy praise ,â they responded.
They droned into the Apostlesâ Creed . Then Our Fathers and Hail Marys and Glory be to the Fathers were repeated over and over in their relentless monotony, without urge or passion, no call of love or answer, the voices simply murmuring away in a habit or death, their minds not on what they said, but blank or wandering or dreaming over their own lives.
Elizabethâs fingers slipped heedlessly along the brown beads. No one noticed that sheâd said eleven Hail Marys in her decade. She had tried once or twice to shake herself to attention and had lapsed