other man had arrived not long before. Her brother's face was drawn and pale, his eyes curiously blank. Grace moved another step, and saw four more people.
There was Ford, as pale as Bryant, though his eyes glittered with a kind of anger she'd never seen before. Parrish, tall and sophisticated, his blond hair expensively styled, stood with his back to the window. The man she'd seen earlier stood beside him, and another man stood just inside the interior kitchen doorway. The man at the doorway was armed; his pistol, like Parrish's, was silenced. The third man would also be armed, Grace thought, since the other two were.
She didn't know what was going on, but she was sure of one thing: she needed the police. She would call them from the Siebers ' house. She took a cautious step backward.
"Go into the bedroom, both of you," she heard Parrish say. "And don't do anything stupid, like trying to jump one of us. I can't tell you how very painful it is to be shot, but I'll be forced to demonstrate if you don't cooperate."
Why was he making them go to the bedroom? She had heard enough to know that she was the one he really wanted, and he seemed to be concerned about the documents she carried.
If Parrish wanted the documents, all he had to do was say so; he was her boss, and she worked on the assignments he gave her. It would break her heart to give up the tantalizing papers, but she couldn't stop him from taking them. Why hadn't he just called, and told her to turn them over tomorrow morning? Why had he come to her house with a gun in his hand, and brought two armed thugs with him? None of this made sense.
She started to walk quickly back to the Siebers ' house, but impulse led her around the comer of the house to where she could look into the bedroom window. She waited for the light to come on, waited to hear voices in the room, but nothing happened, and abruptly she realized Parrish had taken them to Bryant's bedroom, on the other side of the house. Given the configuration of the house when they had divided it, Bryant's bedroom was at the back of the house with the kitchen. Parrish would have had to take them up the hallway to the front of the house, then through the connecting door into Bryant's part of the house and back to the bedroom.
As quickly as possible Grace retraced her steps, taking care to remain in the deepest shadows. A water hose was curled like a long, skinny snake around the protruding outside faucet; she skirted it, and also sidestepped a big sifting board one of the men had propped against the house. This was her home; she knew all its idiosyncrasies, the little traps for the unwary. She knew where the squeaks in the floor were, the cracks in the ceiling, the ruts in the yard.
Light was already shining from Bryant's window. She pressed her back against the wall and sidestepped until she was right beside it. She moved her head around, slowly, trying to move just enough that she could see inside.
One of the men stepped to the window. Grace jerked her head back and stood rigidly still, not even daring to breathe. He jerked the curtains together, shielding the window and darkening the spill of light.
Blood thundered in her ears, and sheer terror made her weak. She still couldn't breathe; her heart felt as if it were literally in her throat, suffocating her. If the man had seen her she would have been caught, for she couldn't possibly have moved.
"Sit on the bed," she heard Parrish say over her pounding heartbeat.
Grace's lungs were finally working again. She gulped in deep breaths to steady her nerves, then once again shifted position.
The curtain hadn't quite fallen together. She moved so she could see through the slit, see Ford and Bryant
Parrish calmly lifted his silenced pistol and shot Ford in the head, then quickly shifted his aim and shot Bryant. Her brother was dead before her husband's body had toppled to the side.
No. No! She hung
John Steinbeck, Richard Astro