straight. âWhen did you recall this?â
âThis morning.â
âYou have withheld vital information.â The little pointy place in the middle of the top lip gets sharper. âWe are disappointed, Stewart.â
â Iâm disappointed! You didnât help me at all yesterday. It was a terrible session. The worst!â
âIs that why you went to the Old Spaceport afterward?â
âYou tracked me?â Does it know about the old spacer?
âYou feel closer to your mother there, donât you, Stewart?â The voice is soft, soothing, the nearest to the real Mrs. Phillips it ever gets. âCloser to your dream of spaceflight.â
âThereâs this fence. Thatâs what I feel, this fence between me and everything I want.â
âDid the pilot promise to help you?â
âPilot? What pilot?â If TIA has identified him, then he wasnât lying to me about being a real pilot.
âThis pilot, Stewart.â The screen flashes a head shot of the old spacer. Enough background shows to let me know heâs sleeping on the bench at Gamma Station. Is that now ? Or yesterday? Will I come into the picture next?
âDid he tell you his name?â
Not a statement. A question. It has pictures, but no audio. It doesnât know what we talked aboutâdoesnât know I planned to meet him again. I cling to that. Shake my head, no.
âVoice response required.â
âNo.â The sensors focusâto check if Iâm lying! Why is his name so important?
âDid you tell him your name?â
âNo.â
âWe are glad you have that much sense, Stewart. You should not be alone with strange men in deserted TransHubs. You will avoid this man in the future.â
âWhy?â
âYou will avoid this man.â
âBecause he told the truth? Is that why?â
âYou willââ
I jump up. Slam my hands down on the desk. âWhy did I forget about the tree house?!â
The image freezes, then fractures into a thousand cubical elements. I stare through the suddenly faceted eyes to whatever sensor array is behind the screen.
âYouâre a machine. You must answer!â
âIt is essential to maintain trust.â The mouth doesnât move. The voice becomes mechanical. âThis is a critical time for you, Stewart. Perhaps we should review past events.â
The overhead lights go out. The screen flickers. The pale blue sky from the opening scene of the NewsVid washes through the frozen hologram.
âNo!â I back away, smack into the stool. âDonât show that!â
âThis has helped. It will help.â The cubes meld. The image regains structure and reclaims Mrs. Phillipsâs voice. âWatch, please.â
âI wonât!â
The volume cranks. The splutter of static is like a cymbal crash next to my ears. Tower Control booms, âContact lost with incoming.â
I bolt for the door. Mash my thumb against the latch plate.
Locked!
âLet me out!â Kick it! Pound it!
The NewsVid sound mutes.
âStewart, please calm yourself.â
âLet me out!â
âStewart, return to the stool. Focus on the screen.â
âNo!â
âAlert! Alert!â The Counselor slips into its machine voice, blaring out the words. âMrs. Phillips, report to session room immediately. Subject at serious risk of associative bifurcation.â
âIâm not an experiment!â
âYou must cooperate. Mrs. Phillips may not arrive quickly enough to prevent harm.â
âHarm?! Whatâs the matter with me?â
âEmergency conditions.â The NewsVid freezes on the image of the upside-down shuttle. The scene strobes, seizes my gaze. I canât look away. âStewart. Sit. Down. Now.â
â NO !â
I grab the edge of the stool. Swipe it through the hologram. Spin around from not connecting with anything solid. Raising