–
Leningrad’s vast pool of widowhood,
who also guard the Rembrandts and rank Gents,
who stand all day with stern unbending gaze
haloed with Tsars’ crowns and Fabergés,
their menfolk melted down to monuments.
It’s their eyes make me shy I’ve fallen for
a woman who they’d chorus at
nyet! nyet!
and make me edgy walking here with you
between the statues VERITAS , HONOR ,
and PSYCHE whom strong passion made forget
conditions of darkness and the gods’ taboo.
4. The People’s Palace
Shuffling in felt goloshes saves the floor
from the unexpected guests of history
who queue all day to see what once was for
the fruits of just one bonsai family tree.
IUSTITIA and POMONA in their crates.
Come winter and the art, all cordoned off,
’s wired to a US import anti-theft device
and opened only for researching prof.
and
patineur
from Academe who skates
those ballrooms patterned like cracked Baikal ice
buffing the princely parquets for the few
who’ll see them reproduced in some review.
Watch that elegant glissade as he yahoos
into the soundproof pile of overshoes.
5. Prague Spring
on my birthday, 30 April
A silent scream? The madrigal’s top note?
Puking his wassail on the listening throng?
Mouthfuls of cumulus, then cobalt throat.
Medusa must have hexed him in mid-song.
The finest vantage point in all of Prague’s
this gagging gargoyle’s with the stone-locked lute,
leaning over cherries, blow-ups of Karl Marx
the pioneers ’ll march past and salute.
Tomorrow’s May but still a North wind scuffs
the plated surface like a maced cuirass,
lays on, lays off, gets purchase on and roughs
up the Vltava, then makes it glass.
The last snow of this year’s late slow thaw
dribbles as spring saliva down his jaw.
The Nuptial Torches
‘These human victims, chained and burning at the stake, were the blazing torches which lighted the monarch to his nuptial couch.’
(J. L. Motley,
The Rise of the Dutch Republic
)
Fish gnaw the Flushing capons, hauled from fleeced
Lutheran Holland, for tomorrow’s feast.
The Netherlandish lengths, the Dutch heirlooms,
That might have graced my movements and my groom’s
Fade on the fat sea’s bellies where they hung
Like cover-sluts. Flesh, wet linen wrung
Bone dry in a washerwoman’s raw, red,
Twisting hands, bed-clothes off a lovers’ bed,
Falls off the chains. At Valladolid
It fell, flesh crumpled like a coverlid.
Young Carlos de Sessa stripped was good
For a girl to look at and he spat like wood
Green from the orchards for the cooking pots.
Flames ravelled up his flesh into dry knots
And he cried at the King:
How can you stare
On such agonies and not turn a hair?
The king was cool:
My friend, I’d drag the logs
Out to the stake for my own son, let dogs
Get at his testes for his sins; auto-da-fés
Owe no paternity to evil ways
.
Cabrera leans against the throne, guffaws
And jots down to the Court’s applause
Yet another of the King’s
bon mots
.
O yellow piddle in fresh fallen snow –
Dogs on the Guadarramas … dogs. Their souls
Splut through their pores like porridge holes.
They wear their skins like cast-offs. Their skin grows
Puckered round the knees like rumpled hose.
Doctor Ponce de la Fuente, you,
Whose gaudy, straw-stuffed effigy in lieu
Of members hacked up in the prison, burns
Here now, one sacking arm drops off, one turns
A stubble finger and your skull still croons
Lascivious catches and indecent tunes;
And croaks:
Ashes to ashes, dust to dust
.
Pray God be with you in your lust
.
And God immediately is, but such a one
Whose skin stinks like a herring in the sun,
Huge from confinement in a filthy gaol,
Crushing the hooping on my farthingale.
O Holy Mother, Holy Mother, Ho-
ly Mother Church, whose melodious, low
Labour-moans go through me as you bear
These pitch-stained children to the upper air,
Let them lie still tonight, no crowding smoke
Condensing back to men float in and poke
Their