lending library. The other pieces of furniture had indeed removed the suggestion of primness, but they had failed to replace it with any other quality. Chairs, coffee table, floor lamp and desk, they stood like items arbitrarily grouped for auction. Only one corner of the room showed signs of pleasant human congress—carpet worn, cushions dented, ash trays full—and this was the alcove they had established with reluctance less than six months ago: the province of the television set ("Why not? Don't we really owe it to the kids? Besides, it's silly to go on being snobbish about television . . .").
Mrs. Lundquist, the baby sitter, had fallen asleep on the sofa and lay hidden beneath its back. Now she rose abruptly into view as she sat up squinting and trying to smile, her false teeth clacking and her hands fumbling at the pins of her loosened white hair.
"Mommy?" came a high wide-awake voice from the children's room down the hall. It was Jennifer, the six-year-old. "Mommy? Was it a good play?"
Frank took two wrong turns in driving Mrs. Lundquist home (Mrs. Lundquist, lurching against door and dashboard, tried to cover her fear by smiling fixedly in the darkness; she thought he was drunk), and all the way back, alone, he rode with one hand pressed to his mouth. He was doing his best to reconstruct the quarrel in his mind, but it was hopeless. He couldn't even tell whether he was angry or contrite, whether it was forgiveness he wanted or the power to forgive. His throat was still raw from shouting and his hand still throbbed from hitting the car—he remembered that part well enough—but his only other memory was of the high-shouldered way she had stood in the curtain call, with that false, vulnerable smile, and this made him weak with remorse. Of all the nights to have a fight! He had to hold the wheel tight in both hands because the road lights were blurring and swimming in his eyes.
The house was dark, and the sight of it as he drove up, a long milky shape in the greater darkness of trees and sky, made him think of death. He padded quickly through the kitchen and living room and went down the hall on careful tiptoe, past the children's room and into the bedroom, where he softly shut the door behind him.
"April, listen," he whispered. Stripping off his coat, he went to the dim bed and sat slumped on its edge in a classic pose of contrition. "Please listen. I won't touch you. I just want to say I'm—there isn't anything to say except I'm sorry."
This was going to be a bad one; it was going to be the kind that went on for days. But at least they were here, alone and quiet in their own room, instead of shouting on the highway; at least the thing had passed into its second phase now, the long quiet aftermath that always before, however implausibly, had led to reconciliation. She wouldn't run away from him now, nor was there any chance of his boiling into a rage again; they were both too tired. Early in his marriage these numb periods had seemed even worse than the humiliating noise that set them off: each time he would think, There can't be any dignified way out of it this time. But there always had been a way, dignified or not, discovered through the simple process of apologizing first and then waiting, trying not to think about it too much. By now the feel of this attitude was as familiar as an unbecoming, comfortable old coat. He could wear it with a certain voluptuous ease, for it allowed him a total suspension of will and pride.
"I don't know what happened back there," he said, "but whatever it was, believe me, I—April?" Then his reaching hand discovered that the bed was empty. The long shape he'd been talking to was a wad of thrown-back covers and a pillow; she had torn the bed apart.
"April?"
He ran frightened to the empty bathroom and down the hall.
"Please go away," her voice said. She was rolled up in a blanket on the living-room sofa, where Mrs. Lundquist had
John B. Garvey, Mary Lou Widmer