someone else. Apparently, he said she was âtoo reserved,â although that might be Deniseâs euphemism.â
Understatement, more like. Lindsay probably still covers her eyes in movies when people kiss.
I say, âOh, so youâre basing your opinion of Ty on Lindsayâs two-week relationship?â
She inhales, her hands rest on the wheel as if it were a lectern or pulpit. âNothing Iâve seen makes me think any differently.â
Ty came to the door the first time we went out. After that, he said to watch for him and just come out to the car.He never comes in if theyâre home. I say, âYou donât even know Ty.
Heâd
do anything for me.â
I can see Mom wringing her hands on the wheel. Her voice is tight when she says, âOh, I know Ty. I know him from that going-away party he threw for you at our house.â
I say, âIt was just a little party.â
âWe arrived home to police cars, Lib. We had to hire a drywall crew, and if that was the worst of it, then Iâd be happy.â Her voice starts to break. âYou were so out of it.â
I hardly remember that party. I change the subject. âYou yanked me from all my friends. Theyâll ditch me, and you like the idea that I wonât have any friends, any
distractions
.â I turn so that sheâs looking at my back.
After a long time she says, âI just want us to be together, Lib.â
âYou should have thought of that five years ago when you left Dad.â
Her voice softens and she says, âLib, I really need for us to get along. I feel like I hardly know you anymore.â
I get to my feet. âIt isnât going to happen. Get used to that.â I reach down to unsnap my tether. âIâm going to bed.â
FIVE
Iâ M NOT SURE WHAT WAKES ME . Through my cabin window I can see that it is just dawn, still Momâs watch. Weather must be changing; a thin line of red indicates the rising sun. Mom has throttled up the engine, and the sound rattles the inside of the boat. Duncan wonât be happy about her revving the engine. I close my eyes. Then, over the din of the engine, I hear my motherâs voice on the two-way vhf radio at the chart table. She must be using the handheld radio in the cockpit.
âMayday, mayday, mayday.â
My feet find the cold floor of my cabin. I toss on my sailing jacket over my pajamas and bolt from the cabin.Duncanâs door is still closed, and I bang on it as I scramble up the companionway steps.
Thereâs a thudding crunch on one side of the hull that almost shakes me off the steps. Then another. Duncanâs door crashes open and he emerges, his hair all rucked up and his eyes still doped with sleep. I can hear another boat engine. Duncan pushes past me on the steps.
Over his head I see a flare streak low. Momâs fired a distress flare. Sheâs screaming for Duncan.
âGet below!â Duncan shoves me down the steps.
I follow him back up. At the top of the steps he stops, and I peer out into the cockpit from under his elbow. I can see a dhow, an open wooden boat motoring alongside, thudding into our hull. The three men in the boat are shouting at my mother. Ski masks cover their faces. From the edge of the sun, another boat hurtles toward us.
I sense the gunfire more than hear it. Itâs like the sound is inside my head, and I swear I can feel my eardrums vibrate as if they are making the sound. I duck my head lower into the companionway. Duncan is yelling at Mom, âThose are warning shots. Cut the engine. They wonât hurt us if we cooperate.â
I push up onto the last step so Iâm standing beside Duncan. Momâs eyes are crazed with fear. Maybe she doesnât hear him over the sound of the engines. Maybe sheâs hearing Jimmyâs voice in her head. She levels a flare right at the oncoming boat. I lose her for a moment in the smoke of the flare. The flare rockets
Peter Ackroyd, Geoffrey Chaucer