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the beginning to have both of them on his team, because they were both good, skilled detectives. When the killer struck again, and again, he’d kept them working close to the centre as he coordinated the massive team that was now working on this investigation. He was beginning to wonder if this had been wise. They couldn’t seem to work together. He moved on to the next point.
    ‘How did he get her to Rawmarsh?’ Berryman tapped his pointer on the map. ‘If he grabbed her in a car, why leave her there? There’s no road runs close to where he dumped her. If he grabbed her at the station, how did he move her up the line?’
    ‘Took her on a train?’ Dave West, facetious. There was a stir of laughter around the room, lightening the atmosphere. West, a young DC on Lynne Jordan’s team, was dealing with this case early in his career. Some detectives never had to deal with a random killer, or the horrors of a sadistic sex killer.
    Berryman treated it as a serious suggestion. If there was a way … ‘Tell me how he gets a dead woman on the train without anyone noticing, and how he gets the train to drop them off between stations, and I’ll give that one some serious thought.’ He waited to see if anyone else had anything to say on that point.
    ‘Emergency stop – communication cord?’ McCarthy’s face indicated that he saw the flaws in this, but was putting it forward anyway. Berryman shook his head. They’d thought of that. No train on that line had had an unscheduled stop that evening.
    ‘It’s the same …’
    ‘Kate Claremont …’
    McCarthy and Jordan started together. Berryman looked at Lynne. She said, ‘It’s the same problem we’ve got with Kate. She was dumped on the line away from the road.There’s a footpath, but I wouldn’t want to carry someone – dead or alive – all that way. How did he get her there?’ She was only voicing a problem they’d discussed before. No one had anything to add.
    Berryman felt weary at the thought of the work ahead. They’d done it all before, the house-to-house, tracking down the people who’d last seen the victim, talking to the relatives. It had got them nowhere, so far. OK, they needed her identity confirming, they needed to find her next of kin – who was missing her now? They needed to find out where she was going the night she died, who she’d seen in the days, weeks or even months before she died. They needed to know if she was just a random victim in the wrong place at the wrong time, or if she was carefully selected, chosen by the killer because something had drawn him to her. They needed to know this about all the victims, and they had so little to go on. Four women: Lisa, Kate, Mandy – and now Julie? It seemed it couldn’t be any other way, and he felt as though he’d let them down, each one more than the last. And the next one and the next one?

3
    Saturday morning’s paper confirmed to Debbie that the dead woman was indeed a victim of the railway strangler. Debbie looked at the photograph of the woman who’d died, then read the article. The police put out the usual advice about women being careful, not going out alone after dark, etc., etc. She read through the article again, trying to find anything that might link the murder to the station, but as Tim had said, the body had been found several miles up the line at Rawmarsh. She looked again at the photograph of Julie Fyfe, twenty-four, younger than Debbie, and dead. She was laughing in the picture, at someone off camera to her left, fair hair tumbling rather glamorously round a small-featured face. Debbie looked for a long time, then she took some pieces of paper from beside her phone, and held them round the face in the picture, trying to see it with the hair pulled back into an elegant, business style. That cold feeling was coming back again now, because the face looking back at her could be, might be, no,
was
the face of the woman, the woman she’d seen so many Thursday nights, the