is like a space suit you live inside. While youâve got it on youâre all right. You live inside it. Without it youâd melt into the nothingness and be nothing yourself and never reach your unknown destination.
[ Sounds of Julie drawing in and exhaling deep breaths. ]
Sorry! Simmo says if I breathe in deeply when the pain comes and let it out slowly Iâll feel better. As if the big breath comes inside, wraps up all the pain and fear and sadness like broken glass in cotton wool, and carries it away when you breathe out. Sometimes it works. This time it left some glass behind.
[ Breathing in. Breathing out. ]
I never knew pain is so . . . consuming. I mean real pain, not just hurt. Real pain sort of eats you. Gnaws you all over like a thousand rats chewing at your bones. And it burns you with sharp flames.
Now I know why people in the old days talked about hell being a place of fire and torture. Real pain is a kind of hell.
Iâve been trying to think about what pain means. Why do we have to have it? Why do people suffer?
I havenât got far yet. Except to hate it with a deep deep loathing. Iâve never felt such hate for anything before. Perhaps I have to get rid of the hate before Iâll be able to think about what pain means? Just as I had to stop thinking I was dying before I could begin to get better. I managed to take that step thanks to you, Nik. Perhaps I have to do this thing about pain on my own? Perhaps thatâs what it means â what itâs for. For learning to be on your own. Do you think it could be?
Doesnât sound right somehow. If only you were here we could talk about it, like we talked from the first time we met. I remember our first time together, every moment. Frame by frame, you might sayâor your leptonic Director might!
[ Quiet chuckles. ]
Thatâs another thing Iâm discovering about illness. And about not being able to see anything, or move, or do anything at all. You remember a lot. Memories come flooding backâlike remembering myself so vividly as a child when I say Sarah-Sarah. In the last few days Iâve remembered things I havenât thought of since they happened years ago.
Which reminds me of that poem . . . how does it go? . . . I expect you think itâs trite . . . but, there, you see, Iâve suddenly remembered it when I havenât thought of it for ages . . . Iâve got it:
I remember, I remember,
The house where I was born,
The little window where the sun
Came peeping in at morn;
He never came a wink too soon,
Nor brought too long a day,
But now, I often wish the night
Had borne my breath away!
[ Pause. ]
Heavens, itâs much gloomier than I thought! How funny! I only remembered the sun peeping in at dawn. Thatâs why I liked it. I learned it when I was . . . what? . . . nine, I suppose. I found it in a book, and thought it was specially for me because the sun came peeping into my room at dawn too.
But I didnât remember the night bearing my breath away. Just shows what you donât notice when you donât need to! Thereâve been plenty of times since what Simmo calls my little mishap that Iâve remembered the house where I was born and wished the night would bear my breath away so there would be an end to the pain.
I donât remember the rest of the poem, and now Iâd rather like to know how it goes on. Could you find it for me?
I wonder if the poet lived in her memories as much as Iâm living in mine? Iâm beginning to think we only know who we are, only know ourselves, through our memories. I mean, think what it would be like if we couldnât remember anything. We wouldnât be able to do most of the things we like doing, never mind the things we donât like doing. We wouldnât be able to learn anything. We wouldnât even be able to learn from the mistakes we make all the time,