a taxidermist. Iâll talk to anybody. Talk to a nigger and you might learn something. I sold him four hundred worms.â He looked at his watch. âYouâre right on the money, Norwood. I like a man who does what he says heâll do.â
âI got me a good watch.â
âYou have for a fact. . . . Here, let me get a look at you. Thatâs all right. You look like the Durango Kid, perhaps better known as Charles Starrett. Whatâs the guitar for?â
âItâs mine, I thought Iâd take it with me.â
âYou didnât tell me you were a musician.â
âI fool around with it a little, thatâs all.â
âYou should have said something about it. I have a few contacts in the music game.â
âYou do?â
âWell, I know some of those boys. I have some music machines down around Bossier City.â
âDo you know anybody on the Louisiana Hayride ?â
âI know everybody on the Louisiana Hayride.â
âThatâs what Iâd like to get a shot at.â
âI expect I could pick up the phone and do you some good. Weâll talk about that another day. Right now weâd best get to the business at hand. I know youâre anxious to get rolling.â
Grady unfolded a map of New York City and laid it out on the steering wheel. The delivery point, a garage in Brooklyn, was marked with a circle. Grady explained about the route. It was very complicated. He went over it again, then once more. Norwood lied and said he thought he had it. Grady gave him the map and a stiff fiber envelope holding titles and pink slips and two sets of keys and a Gulf credit card in the name of Tilmon Fring and twenty-five dollars expense money.
Norwood said, âI guess Iâll get some more in New York then.â
âSome more what?â
âWell. I donât know. Some more money.â
âWasnât that credit card in there?â
âYeah, thereâs a credit card here. But I was wondering if this was enough money.â He held up the five fives.
Grady was baffled and hurt. âThatâs the usual. I thought it would be ample. Iâve never had this come up before. This is embarrassing. You have your credit card. Figure a six-day trip at the very outside, thatâs more than four dollars a day for your meals and the little contingencies of the road. These warm nights you can pull over and catnap right there in the car if you get tired. Most of the drivers drive straight through. Arnold has a comfortable cot in his garageââ
âWhen do I get the fifty dollars?â
âWhen you get back. Cash on delivery.â
âI couldnât get it now?â
âWhy no. Youâre not even bonded, Norwood.â
âWhat does that mean?â
âThat means you get your money when you get back.â
âIâd like to have some of it now.â
Grady showed signs of distress. He took a kitchen match from his pocket, one with garlands of blue lint on it, and burrowed earnestly in one ear with it. When he was through he examined the match and buzzed down the automatic window a couple of inches and tossed it out. He brought his billfold from his inside coat pocket. âHereâs what Iâll do, Norwood. Iâve never done this before. Iâll give you another ten toward expenses. Weâll write that off. Thatâs expenses. ThenâIâll give you an advance of twenty-five. Thatâs off your fifty. Now Iâll hold the balance hereâ on my person âand then, see, youâll have that much more when you get back. To buy things that you need and want. Go off to New York with a lot of money and youâll spend a lot of money. Iâve seen it happen too often. . . . You know, some people would be willing to pay us for an opportunity like this.â
Norwood counted the money and folded it into a hard square and stuck it in his watch