âJump!â
Thereâs no way Iâm jumping down from that height. I try to crouch, but Lydia lets go of my leg and then Alyssa stumbles like she tripped. I go flying off their shoulders and land hard on the ground, and the corn really doesnât cushion my fall at all.
âI think we killed her,â Lydia says. They both come over and lift the hair off my face, trying not to giggle, but I slap their hands away and roll over, groaning.
âAre you okay?â Alyssaâs voice drips with fake concern. âI tripped,â she proclaims in her worst actorâs voice.
âYou did not,â I say. âYou did it on purpose.â
âOoooh, someoneâs mad,â Lydia says. âDonât get mad, Kate. Get even.â
It takes all my self-control not to tell her to buzz off. I manage a smile and say, âOh, I will,â in a passably evil voice, but somehow itâs not funny. This only makes me feel worse.
âIâm going to die if I donât have something to drink, like, immediately ,â Lydia declares. âLast one to the house is a freakinâ zombie.â
She takes off running and Alyssa starts after her, then pauses to glance back at me.
âYou okay?â
I nod, pulling twigs out of my hair.
âCome on, then!â
She bolts after Lydia. I sit up and clean off my camera, which fell in the dirt. It took me a long time to earn enough money to buy my camera. I spent an entire summer babyÂsitting the neighborsâ kids and cleaning out the chicken coop, plus I had to use birthday and Christmas money. Itâs like my baby. I clean it and fuss over it, and I probably have way too many photos of me posing with it. Alyssa knows all this. Iâm always reminding her that electronics break easily and we need to be careful with it, but she still let it drop on the ground without a second thought. This bothers me more than my own tumble.
I slowly stand up and brush myself off. No broken bones, anyway. I limp back toward the house, wondering if any famous directors ever let loose with a few tears when they had a really bad day on the set, but somehow itâs hard to imagine Steven Spielberg crying.
L ydia ends up getting a ride home with Alyssa at the end of the day, so I donât get a chance to ask Alyssa about her strange behavior.
After they leave, my dad finds me in the kitchen. âHow did it go?â
I donât feel like explaining how the day was a major disaster, so I just mumble, âFine.â
âYou have footprints on your back.â
I sigh. âYeah, I know.â
âOkay, then. As long as you know.â My father drums his fingers on the counter, looking distracted. âUh, whereâs your mother?â
âI think sheâs in the chicken coop.â
He peers outside. âWell, Iâve got some work to do. Iâll be in the den.â
My mother made chocolate chip cookies while we were outside shooting. Alyssa and Lydia each had three before they left. I ate three, too, but I decide one more wonât hurt. Thereâs nothing like warm, gooey chocolate chip cookies melting in your mouth to make you feel better.
As I head for my bedroom, I pass the den. Itâs a small room with old wooden floors that my dad took over as his home office. He usually closes the door when heâs working, but today itâs open. I glance inside and see why. Wilma is curled up on a chair, snoozing. She has a talent for pushing open doors that arenât quite latched and making herself comfortable. My dad is sitting with his back to me at his desk, on the phone as usual. The way heâs talking sounds funny, though. Not businesslike.
âItâs getting hard to keep this a secret.â His voice is low, almost a murmur. âItâs all getting very complicated.â He chuckles. âI know. Me, too. Have I told you lately how much Iââ
Wilma picks this moment to notice me. She
James Patterson, Andrew Gross