eaten. All
things have their uses
except morality
in the woods.
September afternoon
at four o’clock
Full in the hand, heavy
with ripeness, perfume spreading
its fan: moments now resemble
sweet russet pears glowing
on the bough, peaches warm
from the afternoon sun, amber
and juicy, flesh that can
make you drunk.
There is a turn in things
that makes the heart catch.
We are ripening, all the hard
green grasping, the stony will
swelling into sweetness, the acid
and sugar in balance, the sun
stored as energy that is pleasure
and pleasure that is energy.
Whatever happens, whatever,
we say, and hold hard and let
go and go on. In the perfect
moment the future coils,
a tree inside a pit. Take,
eat, we are each other’s
perfection, the wine of our
mouths is sweet and heavy.
Soon enough comes the vinegar.
The fruit is ripe for the taking
and we take. There is
no other wisdom.
Morning athletes
for Gloria Nardin Watts
Most mornings we go running side by side
two women in mid-lives jogging, awkward
in our baggy improvisations, two
bundles of rejects from the thrift shop.
Men in their zippy outfits run in packs
on the road where we park, meet
like lovers on the wood’s edge and walk
sedately around the corner out of sight
to our own hardened clay road, High Toss.
Slowly we shuffle, serious, panting
but talking as we trot, our old honorable
wounds in knee and back and ankle paining
us, short, fleshy, dark haired, Italian
and Jew, with our full breasts carefully
confined. We are rich earthy cooks
both of us and the flesh we are working
off was put on with grave pleasure. We
appreciate each other’s cooking, each
other’s art, photographer and poet, jogging
in the chill and wet and green, in the blaze
of young sun, talking over our work,
our plans, our men, our ideas, watching
each other like a pot that might boil dry
for that sign of too harsh fatigue.
It is not the running I love, thump
thump with my leaden feet that only
infrequently are winged and prancing,
but the light that glints off the cattails
as the wind furrows them, the rum cherries
reddening leaf and fruit, the way the pines
blacken the sunlight on their bristles,
the hawk flapping three times, then floating
low over beige grasses,
and your company
as we trot, two friendly dogs leaving
tracks in the sand. The geese call
on the river wandering lost in sedges
and we talk and pant, pant and talk
in the morning early and busy together.
The purge
Beware institutions begun with a purge,
beware buildings that require the bones
of a victim under the cornerstone, beware
undertakings launched with a blood
sacrifice, watch out for marriages
that start with a divorce.
To break a champagne bottle over the prow
of a boat is prodigal but harmless; to break
a promise, a friendship much more exciting
(champagne doesn’t squeal); but doesn’t
the voyage require a lot of sightseeing
and loot to justify that splatter?
Give it up for me, she says, give him
up, give her up, look only in my eyes
and let me taste my power in their anguish.
How much do you love me? Let me count
the corpses as my cat brings home mangled
mice to arrange on my doormat like hors d’oeuvres.
But you know nobody dies of such executions.
Your discarded friends are drinking champagne
and singing off key just as if they were happy
without you. One person’s garbage is another’s
new interior decorating scheme. If she is your
whole world, how quickly the sun sets now.
Argiope
Your web spans a distance
of two of my hands spread
turning the space between unrelated
uprights, accidental neighbors, fennel, corn
stalks into a frame. The patterned web
startles me, as if a grasshopper
spoke, as if a moth whispered.
The bold design cannot have
a predatory use: no fly,
no mite or wasp caught by