shit; when disdain
mounts you on a colored toothpick
like a smoked clam; when your friends misunderstand
your books and your enemies
understand them far too well;
when you lie alone on the sharp stones of unspoken
retorts fallen in the ravine of garrulous night
in the canyon of echoes where the dead
whisper reproaches; when you are empty of words,
a worm in your own apple,
ignore, ignore that death murmuring at your ear
like a lover far too pretty for you, whose attentions
flatter you, and how people will talk,
you will show them yet if you
but turn your head. Ignore those soft
shapes from the stone cold fog
welling from the back of the throat.
He is not pretty, that boy, only well
advertised. Give your enemies nothing.
Let our tears freeze to stones
we can throw from catapults.
Death is their mercenary, their agent.
He seduces you for hire.
After your death he will pander
your books and explain you.
I know we can’t make promises.
Every work pushed out through the jagged
bottleneck sewer of the industry
is a defeat, mutilated before it’s born.
My faucets drip at night too. I wake
tired. From the ceiling over my bed
troubles spin down on growing threads.
Only promise if you do get too weary,
take a bank president to lunch,
take a Rockefeller with you. Write
your own epitaph and say it loud.
This life is a war we are not yet
winning for our daughters’ children.
Don’t do your enemies’ work for them.
Finish your own.
THE LUNAR CYCLE
The moon is always female
The moon is always female and so
am I although often in this vale
of razorblades I have wished I could
put on and take off my sex like a dress
and why not? Do men wear their sex
always? The priest, the doctor, the teacher
all tell us they come to their professions
neuter as clams and the truth is
when I work I am pure as an angel
tiger and clear is my eye and hot
my brain and silent all the whining
grunting piglets of the appetites.
For we were priests to the goddesses
to whom were fashioned the first altars
of clumsy stone on stone and leaping animal
in the wombdark caves, long before men
put on skirts and masks to scare babies.
For we were healers with herbs and poultices
with our milk and careful fingers
long before they began learning to cut up
the living by making jokes at corpses.
For we were making sounds from our throats
and lips to warn and encourage the helpless
young long before schools were built
to teach boys to obey and be bored and kill.
I wake in a strange slack empty bed
of a motel, shaking like dry leaves
the wind rips loose, and in my head
is bound a girl of twelve whose female
organs all but the numb womb are being
cut from her with a knife. Clitoridectomy,
whatever Latin name you call it, in a quarter
of the world girl children are so maimed
and I think of her and I cannot stop.
And I think of her and I cannot stop.
If you are a woman you feel the knife in the words.
If you are a man, then at age four or else
at twelve you are seized and held down
and your penis is cut off. You are left
your testicles but they are sewed to your
crotch. When your spouse buys you, you
are torn or cut open so that your precious
semen can be siphoned out, but of course
you feel nothing. But pain. But pain.
For the uses of men we have been butchered
and crippled and shut up and carved open
under the moon that swells and shines
and shrinks again into nothingness, pregnant
and then waning toward its little monthly
death. The moon is always female but the sun
is female only in lands where females
are let into the sun to run and climb.
A woman is screaming and I hear her.
A woman is bleeding and I see her
bleeding from the mouth, the womb, the breasts
in a fountain of dark blood of dismal
daily tedious sorrow quite palatable
to the taste of the mighty and taken for granted
that the bread of domesticity be baked
of our flesh, that the hearth be built
of