away from grown-up talk to look at the musicians.
‘Lucas, not here,’ Rafa says softly.
‘He’s not a Corta,’ Lucas says simply.
A hand touches the back of Lucas’s hand. Amanda Sun is at his side.
‘Even for you, that was rude,’ she chides. Amanda Sun is third-generation; moon-tall, taller than her husband. Her familiar is zhen: ‘Shake’, in deep red. The Suns traditionally skin their familiars in hexagrams from the Book of Changes .
‘Why? It’s the truth,’ Lucas says. Society was surprised when Amanda Sun moved from the Palace of Eternal Light to still-raw Boa Vista. The nikah hadn’t specified it. The marriage was powerfully dynastic. Checks, balances, annulment clauses were in place. Yet Amanda Sun came to Boa Vista and has lived there for seventeen years. She seems as much a part of it as the peaceful orixas, or the running waters. Society – some parts of that still care – think she is playing the long game. The Suns were among the first settlers; with the Mackenzies, they consider themselves old stock, true lunar aristocracy. For over half a century they have battled the hegemony of the Peoples’ Republic, which would use the House of Sun as their bridgehead to dominate the moon. All agree that the Suns never marry without consideration.
For the past five years, Lucas Corta has lived in his apartment in João de Deus.
The music – soft bossa-jazz – stops. Glasses halt on their journeys to lips. Conversations die; words evaporate; kisses fail. Everyone is transfixed by the small woman who has stepped out from a door between the enormous, serene faces of the orixas.
Adriana Corta has arrived.
‘Won’t they be looking for you?’
Lucasinho has taken Abena Maanu Asamoah by the hand and led her far from inhabited ways, along corridors lit by gleams of light from other rooms – construction bots need light – through new-cut chambers and rooms that still hum with the vibration of digging machines.
‘They’ll be kissing hands and making speeches for ages. We’ve plenty of time.’ Lucasinho pulls Abena to him. Heat-lamps lift the permanent minus-twenty sub-surface cold but the air is chilly enough for breath to hang in clouds and Abena to shiver in her party frock. The moon has a cold heart. ‘So what is this special thing you want to give me?’ Lucasinho moves a hand down Abena’s flank to rest on her hip. She pushes him away with a laugh.
‘Kojo is right, you are a bad boy.’
‘Bad is good. No, really. But come on – we’re moon-runners.’ His other hand strokes Abena’s Lady Luna, moves like a spider up to the bare upper slope of her breast. ‘We’re alive. More alive than anyone on this rock, right now.’
‘Lucasinho, no.’
‘I saved your brother. I could have died. I nearly did die. I was in a hyperbaric chamber. They put me in a coma. I went back and I saved Kojo. I didn’t have to do it. We all know the risks.’
‘Lucasinho, if you go on like this you will kill it.’
He lifts his hands: surrender.
‘So what is this thing?’
Abena opens her right hand. Silver there; a glinting tooth of metal. Then she snaps her hand to Lucasinho’s left ear. He cries out, claps a hand to unexpected pain. There is blood on his fingers.
‘What did you do? Jinji, what did she do?’
We are outside Boa Vista camera coverage, Jinji says. I can’t see.
‘I gave you something to remember Kojo by.’ It may be the red glow of the heat-lamps, but Lucasinho sees a light in Abena’s eyes he’s never known before. He doesn’t know who she is. ‘Do you know what they say about you? That you put a pierce in for every heart-break. Well, with me it’s different. That pierce I put in your ear is a heart-make. It’s a promise. When you need the help of the Asamoahs – really need it; when you have no other hope, when you’re alone and naked and exposed, like my brother; send the pierce. I will remember.’
‘That hurt!’ Lucasinho whines.
‘Then you’ll