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barrier, let alone survive the scrutiny of the occupants of a compartment on an Italian train. The kind of going over to which an escaping Anglo-Saxon was subjected by other travellers was usually enough to finish him off unless he was a professional actor or spoke fluent Italian. And in Italy, before the Armistice, there were no members of the Resistance or railway employees of the Left, as there were in France, to help escaping prisoners out of the country along an organised route.
    The building in which we were housed had originally been built as an orfanotrofio , an orphanage, with the help of money contributed by pilgrims to the shrine of the miraculous Madonna del Rosario who, in 1628, had performed the first of a succession of miracles when, in answer to his prayers, she raised a man called Giovanni Pietro Ugalotti from his death bed.
    The foundations had been laid back in 1928, but the work hadproceeded so slowly that the war began before it could be completed, and it remained empty until the spring of 1943 when it became a prisoner of war camp for officers and a few other ranks who acted as orderlies.
    It was a large, three-storeyed building with a sham classical façade, so unstable that if anyone jumped up and down on one of the upper floors, or even got out of bed heavily, it appeared to wobble like a jelly. To those of us who were lodged on one of these upper floors, it seemed so unstable that we were convinced that if any bombs fell in the immediate neighbourhood it would collapse.
    Next door to the orfanotrofio was the santuario in which the miraculous Madonna del Rosario was enshrined, and on its walls there were large quantities of ex-votos contributed by those who had been cured of some bodily affliction or saved from disaster by divine intervention – crutches, pale wax replicas of various parts of the human body that had been restored to health, primitive paintings of ships sinking, houses and barns on fire, or being struck by lightning, motor cars and aeroplanes crashing and farm carts being overturned, from all of which, and many other more fantastic mishaps, the occupants were depicted as emerging or being ejected relatively unscathed.
    Behind the santuario , and joined to it, there was a convent in which a body of nuns resided in complete seclusion from which they never emerged except in case of grave illness or when they were being conveyed to another house of their order. Otherwise, their nearest approach to contact with the outer world was when they participated in the masses celebrated in the santuario , at which times they could look out on the congregation in the body of the church unseen, hidden from view behind an iron grille.
    All the laundry for the prisoners was done in the convent andfrom time to time we discovered little notes wrapped up in our clean sheets or tucked inside our shirts, which said that those who had washed them were praying for us and were calling down the blessings of the Madonna del Rosario on our unworthy heads.
    Although we never saw them most of us liked having the nuns next door, and the santuario , too. The clanging of its bells broke the monotony of the long days, making the campanile sway with their violence and frightening the swallows, making them sweep in panic to the sky, until some prisoners who had migraine, or were atheists, or simply disliked bells or noise generally, used to put their heads out of the windows and scream, at the top of their voices, ‘I SAY, WOULD YOU MIND TERRIBLY TURNING IT IN?’ And if by chance the bells did stop at that particular moment, ‘THANK YOU SO MUCH!’ Or, if they knew a little Italian, ‘GRAZIE TANTO!’
    In the centre of the village, which was called Fontanellato, out of sight of the prisoners in the camp, was the Rocca Sanvitale, a forbidding-looking fifteenth-century castle, isolated behind a water-filled moat. In the castle, until the war came, had lived the Conte Giovanni , the last of the Sanvitales, one of the