to scream. âI know. I know that. Iâm just thinking about his fondness for hide-and-seek and sardines and flashlight tag and maybeââ
âMaybe,â Codman interrupted, coming closer to me, âyou should go down that hallwayâto the left. And I should take the right. The hallways meet on the other side of Theater 6, right? We can see whatâs here.â
My heart beat way too fast.
âCome on,â Codman said to me. âYou only live once, right?â
8
Codman
I watched Olivia head off to one of the myriad snaking hallways on her side of the theater and realized she wasnât coming back to the gallery. This was either because she wasnât scared like I was or because she was but didnât want to tell me orâand this was worst of allâbecause she couldnât stand to be around me anymore. She probably regretted going through with the night. My parentsâboth psychiatrists who had met through my momâs first husband, also a shrinkâwould say I was transferring, and that any regret was probably my own. I put my head down and focused on the stunningly ugly paisley carpet as I walked away from bad art toward a worse fate.
The hallway, like tunnels in the dreams my father picked apart for clues, seemed to lead nowhere. I tried to remember the last time Iâd been here, what movie weâd seen, what season, anything to get my mind off the sure feeling that terror was lurking behind each corner, waiting to find me if I stopped or if I kept going. I couldnât go back to where Olivia and I had been, and I couldnât go forward.
âWhat do you want from me?â I asked aloud to no one or maybe to Bertucci if he could hear me. âWhatâs the plan, Nut Nozzle?â
I half-expected someone to respond, but when they didnât, and a door up and to the right creaked partway open and then shut, I felt my pulse quicken to the point where I thought I might pass out. It doesnât take much for my inner wuss to break free. I had all the courage of a maxi pad.
But I knew if I passed out, no one would find me, and Iâd be left to rot in the Circle Cinema which is just about as pathetic a way to go as any, so I began to recite Freud, explaining to the walls and carpet what I believed to be true.
âFreud thought everyone has these two desires, right?â I stuck out one hand in the darkness as I padded slowly along, using my other hand to feel the wall. âThereâs the libidoânot just sex as we think of it, but the life force, like hunger and surviving and ... sex.â I paused as my fingers hit something cold. A handle. I gripped the metal and heard my breath coming in shaky gasps. âBut then thereâs also the death drive. Um, Thanatos, who is, like, the Greek personification of death.â
I opened the door and found a room in semilight. Relief flooded through me as I could see again and make sense of where I was. Not that I knew where I was, but at least I could identify that I was in a bathroom.
âNot that Freud used Thanatos exactly. See, Freudâs hypothesis was sort of about libido being a form of energy, right, Nutjam?â Bertucci had spent hours combing my parentâs bookshelves, reading my motherâs thesis, âOn Death and Sexism.â
I stopped to look at myself in the mirror, aware that in horror movies, looking in the mirror never turned out wellâexactly at that moment, someone or something would appear in the reflection.
But no one did. I noticed though that there was a urinal in the corner, crying out to be used, so I went over to it and closed my eyes. Closed my eyes? Yes. Always have. Call Freud! Maybe my dad sighs and closes his eyes when he takes a leak, I donât really know. Never stopped to consider why, really, until Bertucci commented on it a couple of years back when we were next to each other in the school bathroom.
âAre you about to critique my
Jack Ketchum, Tim Waggoner, Harlan Ellison, Jeyn Roberts, Post Mortem Press, Gary Braunbeck, Michael Arnzen, Lawrence Connolly