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she pause to look back, and she saw he was standing where she’d left him, but his eyes were still on her.
    She drove straight home, hands shaking as she clutched the wheel. Only when she was in her garage, the door safely closed, did her breathing begin to steady, her heart to slow.
    Inside the house, the first thing she did was call Jane.
    “Harry O’Brien,” she said. “Did you question him?”
    “Of course we did,” said Jane. “How do you even know about O’Brien?”
    “I know he once threatened Scanlon. It made the newspapers, after Kitty O’Brien’s suicide. Jane, I think he’s involved. I recognized his voice.”
    “You spoke to him? What the hell are you doing, getting in the middle of an investigation?”
    “We met by accident, in Olmsted Park. I went to the death scene, to see if I remembered anything, and O’Brien was there. We had a few words, and I had this—this sudden flash of recognition. I’ve heard his voice before, Jane. Maybe it was that night.”
    “Saturday?”
    “It’s possible, isn’t it? Even though there’s so much I don’t remember, there could be bits and pieces that I did retain. A face, a voice.”
    “It couldn’t have been O’Brien that night. He had an alibi.”
    “You’re absolutely sure it’s real?”
    “He was visiting a friend in Swampscott. Frost and I interviewed her, and she swears O’Brien was at her house till midnight.”
    “Is she reliable?”
    “She’s an architect. Her mother was there that night, too. Apparently the evening was some sort of matchmaking plot to pair Mom off with Harry. It’s rock-solid, Maura.”
    But even as she hung up, Maura could not shake off the certainty that she’d heard Harry O’Brien’s voice that night.
    She sat on her living room sofa and stretched out on the cushions, trying to call up another memory. Here was where she’d awakened Sunday morning. The night before,someone had laid her on this sofa. Had words been spoken, words that she might still remember? She closed her eyes.
    The doorbell rang.
    She snapped straight, heart slamming against her chest. She forced herself to rise from the sofa and peeked through the glass panel.
    A dark-haired young woman, pretty and petite, stood on the porch.
    Maura took a deep breath and felt the tension go out of her. She opened the door. “Yes?”
    “I’m sorry to bother you,” the woman said, “but I’m trying to find David Chatworth’s house. I know he lives around here somewhere, but my cell phone just died. Could I borrow your phone book?”
    “Of course. Hold on,” said Maura. She turned toward the kitchen, where she kept the phone directory. Made it only halfway up the hall when she heard the front door suddenly slam shut.
    Footsteps closed in behind her.

CHAPTER FIVE
    Jane sat at her desk, troubled by her conversation with Maura. Flash of recognition was how Maura had described her reaction to O’Brien, a certainty that she’d met him. But it couldn’t have happened on Saturday night, because O’Brien was at his friend’s house in Swampscott.
    She pulled out her file on their interview with Monica Vargas, the woman whom O’Brien had been visiting. Thirty-five years old and an architect, she lived alone in an impressive house with a view of the sea. She had been definite about O’Brien’s visit, had told Jane and Frost that O’Brien arrived around six PM , dined with Monica and her mother, and the three of them had watched Woody Allen DVDs. Around midnight, O’Brien left her house. Monica had offered the police her mother’s phone number, should they need further corroboration.
    Yes, a rock-solid alibi.
    But now, thinking back to that interview, Jane recalled details about Monica that suddenly seemed significant. Her poise, her beauty. An attractive female professional, confident and accomplished.
    Like Sarah Shapiro and Kitty O’Brien. Like Maura Isles.
    She spun around to her computer and was just about to do a background check on Monica Vargas