followed quickly by an almost inaudible â Shh .â
Something is going on, and I instantly smother the instinct to jump up and make inquiries.
âHelga, come on out. Canât you?â
Itâs the first voice again, and it seems to be coming from the window that is almost directly above my head, which looks out onto the pine forest behind the annex.
â Ach, nein . Itâs too dangerous.â
Helgaâs voice is so close that it almost feels as though sheâs in bed with me. Actually, she must be crouching on the floor just beneath the window between our two beds.
âThen Iâll come in. Is she fast asleep? Is the door open?â
â Nein , nein , you cannot. Wait, I come out. I meet you in the back.â
I donât dare move. I can hear Helga softly rustling into some sort of garment and tiptoeing out the front door, which she gently closes.
Thereâs only a narrow thorny space between the back of the annex and the pinewoods, where Roy has somehow managed to get to our window. Where willthey go now...will Helga join him near the window or will they go deeper into the forest? Or do they have some other place for a rendezvous?
My heart is pounding as I crawl out of bed, listening for the sound of their voices. I peer out the rear window...nothing. I even open the door a crack. No one is in sight. Perhaps I was only dreaming that Helga left our room in the middle of the night to be with Roy. But I give Helgaâs bed a poke and sure enough, itâs empty.
Time passes. Iâm so flustered at catching Helga playing Juliet to Royâs Romeo that I donât know how I feel about my discovery. In one way itâs exciting...a mystery. Sheâs only known him one day and already thereâs a certain intimacy between them. What has drawn them together so strongly that he would sneak back to Moskinâs in the dark to be with her?
But while Iâm looking for answers, Iâm also having envious thoughts toward Helga. Iâm even going so far as to wonder if Iâm going to tell on her. Does she have to have everything...a great figure, stunning hair and eyes, the concern and sympathy of all the guests at Moskinâs, tossed kisses from Harry the waiter and hot-eyed stares from the busboys, my dungarees, and Roy?
I get back into bed and crawl under the covers, keeping my ears open for Helgaâs return. Iâve decided Iâll play dead when she comes back and see if I can read any signs of whatâs going on when I see her in the morning.
Did I fall asleep again? I must have. Because the next thing I know Iâm awakened by a funny squeaking sound. There are tiny animals, field mice especially, that easily find their way into the rooms at Moskinâs.
I sit up in bed and reach for the fly swatter that hangs on a hook above me. Itâs still completely dark out. How am I going to shoo the creature out, whatever it is, without knowing where it is? Iâm just about to reach for the flashlight under my pillow, when I hear the squeaking again. This time, though, itâs followed by a sniffle. Squeak...sniffle. Squeak...sniffle. Squeak...sniffle . Thereâs a rhythm that isnât exactly mouse-like.
I get out of bed, pad across the short distance to Helgaâs bed, and give it a poke, like the last time, but maybe just a little bit harder.
Thereâs a shriek. Helga sits up in bed.
âOh,â I gasp. âItâs you.â
Helgaâs voice is throaty. â Ach, Isabel, Iâm sorry if Iâve waked you.â
I can tell for sure now that sheâs been crying or at least weeping.
âWaked me. Well, not exactly. Um, is anything wrong?â
Helgaâs long hair is tangled around her face and chest. I can see that much in the dark. And her face is pale. âOnly my leg aches a bit,â she explains. âI went tothe bathhouse to bathe it with cool water. And also,â she adds, âto use the
Pierre Pevel, Tom Translated by Clegg