Danubeâ: a white dress that for him was black and backstitched entirely in grey.
âPark there,â he ordered the sergeant when they crossed MayÃa RodrÃguez, and he threw his cigarette end on the road. There on the opposite pavement, right on the corner, stood the two-storey house where the twins had lived, a spectacular house splendid with large swathes of dark glass and red brick and a wall around a professionally manicured garden at the right height not to hide the line of concrete sculptures that denoted the shaping hand of a Wifredo Lam.
âThis is it,â exclaimed Manolo. âWhenever I drove by here Iâd stare at that house and think how Iâd like to have lived in a house like that. I even started to think thereâd never be problems with the police in such a place and that Iâd never get to see the inside.â
âWell, itâs no house for policemen.â
âIt was given to him, I suppose.â
âNo, not this time. It belonged to his wifeâs parents.â
âWhat can life be like in this kind of house, Conde?â
âDifferent . . . Hey, Manolo, wait a minute. Thereâs an idea I want to work on: the party on the thirty-first. Rafael MorÃn disappeared after going to that party. Something may have happened there that impacts on all this business, because Iâm not into coincidences. I want to ask you a favour.â
Manolo smiled and struck the steering wheel with both hands.
âThe Count asking me for a favour? Of a personal or
work nature? Go ahead, Iâll be pleased to do anything for you.â
âHey, shut that trap and let me interview Tamara. Iâve known her for some time, and I think I can handle her better like that. Thatâs the favour: not much to ask, is it? You can tell me later of any thoughts that may come to you. OK?â
âOK, Conde, itâs not a problem,â the sergeant replied, preparing to make a sacrifice in order to be present at what he guessed would be a settling of accounts with the past. As he locked the car Manolo saw the Count cross the road and disappear between the box-hedges and the head of a terrified concrete horse that seemed more Picasso than Lam. At any rate, that house continued to be far beyond the reach of any policeman.
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Her eyes were two classic almonds, polished and slightly moist. Just the minimum to suggest they really were two eyes that might even shed tears. A lock of her artificially curled hair twisted down over her forehead, almost engulfing her thick, very high eyebrows. Her mouth attempted to smile, in fact did so, and her dazzlingly white teeth, like a healthy animalâs, deserved the reward of a broad smile. She didnât look thirtythree, he thought as he stood in front of his former schoolmate. Nobody would believe sheâd given birth, could still perform ballet pirouettes, although she was now clearly more in control of her profound beauty: rounded, exuberant and provocative, and at the peak of her bodily charms. She could still get into her school tunic and tight-clinging blouse, he thought as he tightened the pistol in his belt and introduced Sergeant Manuel Palacios, whose eyes were bulging
out of their sockets. The Count wanted to leave as soon as he sat down on the sofa next to Tamara and she pointed Manolo to an armchair.
She was wearing a gaudy yellow loose-fitting dress, and he noted she was not at all unnerved: even wrapped in that garish colour she was the most beautiful woman heâd ever known, and now he didnât want to leave but to stretch an arm out when she stood up.
âWell, life is full of surprises, isnât it?â she remarked. âWait a minute while I get you some coffee.â
She walked towards the passage, and he observed the movement of her buttocks under the fine yellow material. He followed the faint outline of her knickers on her thighs and exchanged glances with an almost panting