country in the 1920s. Cubans and South Americans and immigrants from the Caribbean all came to South Florida. You know what happens after we're all here a while? We become Americans."
Brent had to smile. "And… ?"
"My point is the one you were just making. We're all many things. You're more Irish than you are Lakota. You're just an American."
"So?"
"So you should support your heritage—all of it. You teach, you counsel… and then you have your special gifts. Your mother was full-blooded Irish, you know."
"Is that a comment on my 'gift'?" Brent asked.
"It's a comment on the fact that you're a mongrel, like most people. And right now the mixed-up ail-American part of you is needed," Adam said.
"In New Orleans?"
Adam looked away for a moment. "Look, I know how you feel about New Orleans. I wouldn't ask you if I didn't believe this was important."
"It's where Tania died," Brent said quietly.
"I know. I said that I wouldn't have asked you if it weren't important."
"A lot of things are important."
"I need you, Brent."
"You have other people."
Adam hesitated. "You know I always weigh what I need to do very carefully. And in this circumstance, I need you."
"I assume you're going to explain?"
"The government lost an agent."
Brent was still puzzled, and he said softly, "I'm not without sympathy, Adam, but agents put their lives on the line. And sometimes they die."
"This agent was seen walking around—after he'd been killed," Adam said.
Brent arched a brow. "All right," he said after a moment. "I guess you're going to tell me all of it?"
"I'm going to tell you everything I know." Adam assured him solemnly.
"And I'm going to guess that I already have a plane ticket?"
"You leave tomorrow."
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"The new Storyville district is a great place to visit," Nikki assured the crowd around her. "As in the past, there's music and great food, but you won't find the same… business that flourished years ago. Alderman Sydney Story knew he couldn't get rid of the oldest profession as it's been called, but he was hoping to control it. I can't imagine he was happy when the red light district he worked so hard to contain was named Storyville, after him. The district limited prostitution and, in time, other vices to the area from the south side of Customhouse Street to the north side of St. Louis Street, from the lower side of North Basin Street to the lower side of Robertson Street."
"There are endless tales to go with the area. The bordellos ranged from the poor and ragged to the rich and classy, the girls from young and green to long in the tooth. But the true reigning queen of Storyville was Josie. She was born just about the end of the Civil War, raised by a very religious family, and seduced at an early age into the arms of a fancy man. But at heart,
Josie was an entrepreneur. In her early days, she was red-haired and wild-tempered, and her place was known for some of the fiercest and most entertaining catfights to be seen anywhere. Then, when the brawling became too much even for Josie, she reinvented herself and ran ads for ladies of the highest rank. She managed to make a fortune and buy herself a splendid home in an affluent quarter of the city. Eventually she became obsessed with death. Not that she seemed to be terribly worried about her immortal soul. She was consumed, however, with concern regarding her physical remains. She wanted to be as grand in death as she presumed herself to be in life. So she had a tomb built, a truly magnificent tomb. It incorporated pilasters and urns and torches. And a beautiful sculpture of a woman, one foot on a step, her hand reaching for the door.
"In time Josie died and was entombed. But an heir squandered away her money. Her house was sold, as was her tomb. The new owners did not want her remains, so they were removed. In New Orleans, after a year and a day, that's no problem. Where they lie today… it's one of the best-kept secrets of the cemetery.