pumping through my veins because I can’t fucking stop it. Sometimes I want that blood to run down the nearest drain and take me with it. But it’s not just mine any more, it’s someone else’s as well. I think it must be painted all over the sky.
She looked up, breaking out of her trance; the expanse of sky above the station was grey. The roadway opened into George Street, taking the traffic past the verdigris steeple of Christ Church St Laurence before moving on towards the harbour. She was travelling in the opposite direction, past the ugly, squared tower of the University of Technology. In the last year, she had spent hours inside its student computer rooms, out of the heat or the chill of the day, opening up new worlds through a false student account. Knock on the right door at UTS after hours and someone who was just a boy, white-faced and quietly spoken, would give you a log-on ID and a password for nothing, with no questions asked. Lucy had not tried to guess his reasons for doing this; she no longer asked herself why anyone did what they did. That question had been replaced in her mind a long time ago by others. Are there any limits to what people do? Why do they like to be so cruel to each other? When she asked this aloud, people laughed and called her stupid.
The questions drove her as she gained skill in using the software and built her own website, both in the computer rooms and on her own stolen machine. Everything she fashioned worked around this insoluble puzzle, which never gave ground to her. Duplicating the things she had met with in her life and seen out on the Sydney streets
— beatings, robberies, rape — and fixing them as electronic impulses on a screen, she transformed them into something she could suspend out of time. She was safe in the computer rooms and the events she recreated on her website were controlled, they could not hurt her. She studied the images she built, remaking them if she needed to, trying to understand what it must mean to hurt someone or to shoot them dead.
Today she did not stop, her restless, jerky energy drove her on past the pubs, restaurants and takeaway bars to the serrated wall of the Carlton brewery. Further up Broadway, close to the park, stood two old, ornate buildings with elaborate clock towers supporting translucent spheres like fragile crystal worlds. In the middle distance, Lucy saw what she had come to find. The usually swift flow of traffic down Broadway was forced to slow before negotiating a hazard marked by a string of plastic blue police ribbons snapping in the wind.
Access to a particular side street had been cordoned off and police cars were parked on the road and the footpath.
Although she had been waiting to see it, she stopped abruptly to lean against the rough wall of the brewery and wait until the blood had stopped pounding in her head. Images from her website began to surge through her mind. In her electronic world, the counterfeit Lucy pulled the trigger, the woman doctor died under the gun, and once that switch was thrown, catastrophe was initiated. The buildings around the doctor began to burn, the sky was split open to rain down green fire, nuclear flame burst out onto Broadway and all the buildings that surrounded Lucy where she stood now, exploded. A fireball roared the breadth of the roadway and ate up stick figures and toy cars.
Outside of her head, in the ordinary daylight, she watched the world move on routinely around her. She was alien to everyone passing her by, someone the crowds would turn on if they knew what she had done.
She held the contrasting visions side by side in her head but the electronic images were her true reference points. What existed around her — these buildings, everyday life, tangible things and immovable structures — were hollow, they had no reliable substance. They hid something that stank to her, something that was dead and rotting.
She crossed against the traffic to the other side of the road,