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Colors seemed brighter; the world looked different—at least for a while.
    He hung the print above the bed in his new room in Stockport, Ohio, and his mother never noticed it, never remarked on it.
    He was sure the print was almost worthless. A few months later, browsing through various auction catalogs, he discovered it had a value of six to seven thousand dollars. At the time his mother was in desperate need of rent, and he considered selling it. But he couldn’t imagine parting with it.
    But by that time he needed another thrill. Another fix.
    So he began to haunt the nearby Muskingum Historical Site, where they had a small collection of etchings, engravings, and watercolors. He picked out one of his favorites, a lithograph by John Steuart Curry called The Plainsman , and stole it.
    Piece of cake.
    It came from an edition of two hundred fifty, and so was untraceable and thus easy to sell on the legitimate market. The World Wide Web was just coming into being, which made it all so much easier and anonymous. He got eight hundred dollars for the print—and his career as a small-time historical society and art museum thief was launched. His mother never had to worry about rent again. Gideon made up vague stories about odd jobs and helping after school, and she was too addled and desperate to question where the money was really coming from.
    He stole for money. He stole because he loved certain specific pictures. But most of all, he stole for the thrill. It created a high like nothing else, a feeling of self-worth, of floating above the hidebound, mindless, and blinkered masses.
    He knew these were not worthy feelings, but the world was a messed-up place, so why not step outside the rules? He hurt nobody. He was like Robin Hood, lifting unappreciated works of art and putting them in the hands of people who truly loved them. He went on to college, soon dropped out, moved to California, and ultimately devoted himself full-time to visiting small museums, libraries, and historical societies, selling what he had to and keeping the rest.
    And then he got the call. His mother was dying in a DC hospital. He went to her side. And on her deathbed she told him the story: of how his father hadn’t been responsible for the cryptological security breakdown, after all. Just the opposite: he had pointed out the flaws and been ignored. And then, when it went bad, they’d made him the fall guy, framed by the general in charge of the project—the same general who ordered that he be shot in the act of surrendering.
    His father had been scapegoated. And then murdered.
    When he learned this, Gideon’s life was transformed. For the first time he had a real goal, a worthwhile goal. He cleaned up his act, went back to college, got a doctorate in physics, and went to work at Los Alamos. But all the time, in the background, like the drone note of a bagpipe, he’d carried on a search: a search for the evidence he needed to clear his father’s name and wreak vengeance on the general who had murdered him.
    It had taken years, but in the end he’d found what he’d needed—and he had taken his revenge. The general was now dead, his own father vindicated.
    Yet it was no good: revenge didn’t bring people back to life, or retrieve ruined and wasted years. Still, he had his life ahead of him, and was determined to make the most of it.
    Then, shortly afterward—little more than a month back—the supreme catastrophe had occurred. Gideon had been told he had a condition known by the picturesque name of a vein of Galen aneurysmal malformation. It was an abnormal tangle of arteries and veins deep in the brain. It was inoperable, there was no treatment, and it would kill him within a year.
    Or at least, that’s what he’d been told. By Eli Glinn—the man who had given him his first assignment as an operative.
    He allegedly had one year to live. And now, as Garza and he crawled through New York gridlock toward the Effective Engineering Solutions