accepting that, but he is still concerned. Frangie figures itâs not the first time heâs heard a similar story. âMy mama talks about me going to college but canât pay the grocer.â
âCollege girl, huh?â Doon brings back that wide smile of his, and she likes him for that. Too many people still didnât believe females belong in college, let alone coloredones. âWhat would you study, little Frangie, if you were to go to college?â
âI guess I wouldnât mind being a doctor,â Frangie says shyly.
âYou get to be a doctor and Iâll break my arm just to give you something to fix up.â
She doesnât know how to answer that, so she just looks down and suddenly realizes how young she must look, a short girl with no shoes. Probably looks thirteen.
âYou know, you can put in to be a medic,â Doon says, snapping his fingers. âYeah, why not if you want to be a doctor?â
âThey taking us for that?â
âMedics? Sure. What do you think, some white doctor is going to tend to a Nigra that gets shot?â
Frangie has already thought along the same lines, but she is glad to have the confirmation from Doon. A medic. Has to be better than cleaning toilets or cooking stew, although her stomach rumbles a bit at the thought of stew. Dinner was beans and corn bread and not too much of either.
They stand for a while, listening to the music. The band is blistering but still somehow cool and in control.
âThat man can play,â Frangie says after a while.
âDonât you know who that is? Thatâs Benny Goodman. I heard a couple of his own boys are down with the grippeand he had to cancel their own gig downtown with his big band, so he came down here to play with Diz.â
âA white man playing at the Regent?â
Doon smiles. âJazzmen donât care a damnâsorryâfor what color you are, itâs just can you play or not. And that particular white man can play some clarinet.â
âWell, I guess I have to get back or my mother will fret,â Frangie says. âTake care of yourself, Doon.â
âSend my regards to your mom and pop. I donât forget your dad speaking up for me that time, getting me that work. So if thereâs anything I can do. You know?â
âI do.â Frangie starts to walk away, turns, now walking backward, and says, âJust donât stick your head in the wrong end of any of those old cannons. I still remember you and that car muffler you thought you could spit into.â
Doon laughs. âIâd say Iâm smarter now, but look at me.â He waves his hands elegantly to indicate his uniform. âHow smart am I?â
4
RIO RICHLINâGEDWELL FALLS, CALIFORNIA, USA
Rio Richlin sits far more stiffly than she intends, in the sixth row, center left at the Jubilee Movie House with a small bag of popcorn on her lap, a soda on the floor by her feet, and sweat on the palms of her hands.
There is something strangely rushed about this date. One minute sheâd been idly glancing at Strandâa boy sheâd more or less known all of her life, or at least known to nod politely toâand now they are at a movie together. A romantic movie at that.
Rio has heard people talking about how the war seems to accelerate the pace of daily life, how it seems to bring sudden change. As sudden as losing Rachel.
She is acutely conscious of Strand, which is strange in itself. Strand has always been there, a year ahead in one class or another, school or Sunday school, a presence, a boy among many possible boys she might see at a baseball game or wait behind in line at the grocery store. Itwould be wrong to compare him to a familiar lamppost or stop sign, but in some ways thatâs what heâs been: a part of the landscape.
And suddenly, just a few days ago, she began to actually see him. And then to see him in detail. And then to see him to the
Alex Richardson, Lu Ann Wells