hand-me-down pumps.
Frangie lets herself be drawn like a fly to honey by the music throbbing from the Regentâs Club, a ramshackle affair built of wood siding and nailed-on sheets of tin. The street is dark at 9:00 p.m., but lively with maids andwasherwomen, gardeners and butlers, all dressed to the limit of their pocketbooks.
âHey, pretty girl.â This from a man in a zoot suit with its draping, high-belted trousers and absurdly long, padded-shoulder jacket.
âYouâre too old for me, Grandpa,â Frangie says breezily.
The man laughs and mimes a knife going into his heart. âOh, little sister, why you want to hurt a man like that?â
Frangie walks on by, pleased with herself. She slows her pace as she passes the club. Thereâs a clarinet playing now; a wild, thrilling sound backed by what some people called âjungleâ rhythms.
Frangie sings softly to herself, mimicking the instruments. âBada da da, dada dada . . . bum bum bumbum bum bumbum bum badum bum.â Cool clarinet now, and drums and stand-up bass, all urgent and relentless.
Frangie would love to go inside, but that costs a dime except on Ladiesâ Nights, and Frangie does not have a dime. But thereâs no law against lurking on the street outside, swaying to the music, feeling it speak to something inside her.
Devil jazz. It seems to Frangie that devils have good taste in music.
âFrangie? Is that you?â
The voice belongs to an old schoolmate of hers, DoonAcey. He was a year ahead of her, but unlike many upper classmen heâd always been decent enough to her.
He moved away, she thought, up to Memphis; anyway she hasnât seen him around lately. And sheâs certainly never seen him like this: heâs wearing an Army Class A uniform, dark green, with a single yellow chevron on his shoulder and a rakishly tilted cap on his head.
âDoon? Well, look at you.â
Doon grins with far more confidence than heâd ever shown when she knew him as one of the less conceited athletes at school.
âYou like the monkey suit?â Doon asks. He points at the stripe. âPrivate first class. But you can just call me PFC Acey.â
âLooks like Iâll have one for myself soon,â Frangie says. âA uniform, anyway, maybe not such a fine stripe.â
The grin drops from Doonâs face. âYou got drafted? But youâre not even eighteen yet, are you?â
Frangie shrugs, feeling a little strange talking about her decision. âIâll be eighteen soon enough, and Iâm not waiting around for some draft board. Iâm enlisting.â
âEnlisting?â Doon looks at her as if she might be crazy. âWhy would you do a foolish thing like that?â He takes her arm and guides her a few yards away to where the crowd is less thick and the music not so urgent. âFrangie, I donât know what you think is going on in this war, butitâs not what folks think it is, at least not for us .â
The laugh-a-minute Doon is gone suddenly, replaced by an earnest young man. Frangie is almost alarmed by the change.
âSo tell me,â Frangie says.
âFirst of all, nothing changes between black and white. We have white officersâonly white officers, no Negro officers. Most of the NCOs are colored, but it doesnât help because weâre still doing the same old shitâsorry, I shouldnât use that word. The same old stuff. Iâm in the artillery.â He points to a small badge on his collar, two ancient cannons, crossed. âSee those cannons? Thatâs just about how old our equipment is. The white regiments get the new stuff; we get whatâs too old or broken . . . I mean, donât start thinking things are different for us just because weâre fighting for the same country.â
âMy popâs too hurt to work.â
âI heard about that.â
âAnd we need the money.â
Doon nods,
Alex Richardson, Lu Ann Wells