Read Fluke, Or, I Know Why the Winged Whale Sings for Free Online Page B

He was thinking,
We'll have breakfast at Longee's, and then we'll see how it looks.
    None of them moved. They just stood there, looking out at the blowout channel. Occasionally a whale would blow, and the mist would run over the water like a frightened ghost.
    "I'm buying," Clay said.
    And they all headed up Front Street to Longee's restaurant, a two-story gray-and-white building, done in a New England architecture with shiplap siding and huge open windows that looked across Front Street, over the stone seawall, and out onto the Au' au Channel. By way of a shirt, Kona slipped on a tattered Nautica windbreaker he'd had knotted around his waist.
    "You do a lot of sailing?" Amy asked, nodding to the Nautica logo. She intended the remark as dig, a return for Kona's saying, "And who be this snowy biscuit?" when they'd first met. At the time Amy had just introduced herself, but in retrospect she realized that she should probably have taken some offense to being called both snowy and a biscuit —
those things were objectifying, right?
    "Shark bait kit, me Snowy Biscuit," Kona answered, meaning that the windbreaker had come from a tourist. The Paia surfing community on the North Shore, from which Kona had recently come, had an economy based entirely on petty theft, mostly smash-and-grabs from rental cars.
    As the host led them through the crowded dining room to a table by the windows, Clay leaned over Amy's shoulder and whispered, "A biscuit is a good thing."
    "I knew that," Amy whispered back. "Like a tomato, right?"
    "Heads up," Clay said, just as Amy plowed into a khaki package of balding ambition known as Jon Thomas Fuller, CEO of Hawaii Whale Inc., a nonprofit corporation with assets in the tens of millions that disguised itself as a research organization. Fuller had pushed his chair back to intercept Amy.
    "Jon Thomas!" Clay smiled and reached around the flustered Amy to shake Fuller's hand. Fuller ignored Clay and took Amy by the waist, steadying her. "Hey, hey, there," Fuller said. "If you wanted to meet me, all you had to do was introduce yourself."
    Amy grabbed his wrists and guided his hands to the table in front of him, then stepped back. "Hi, I'm Amy Earhart."
    "I know who you are," said Fuller, standing now. He was only a little taller than Arny, very tan and very lean, with a hawk nose and a receding hairline like a knife. "What I don't know is why you haven't come to see me about a job."
    Meanwhile, Nate, who had been thinking about whale song, had taken his seat, opened a menu, ordered coffee, and completely missed the fact that he was alone at the table. He looked up to see Jon Thomas Fuller holding his assistant by the waist. He dropped his menu and headed back to the site of the intercept.
    "Well, partly" — Amy smiled at the three young women sitting at Fuller's table — "partly because I have some self-respect" — she curtsied — "and partly because you're a louse and a jamoke."
    Fuller's dazzling grin dropped a level of magnitude. The women at his table, all dressed in khaki safari wear to approximate the Discovery Channel ideal of what a scientist should look like, made great shows of looking elsewhere, wiping their mouths, sipping water — not noticing their boss getting verbally bitch-slapped by a vicious research pixie.
    "Nate," Fuller said, noticing that Nate had joined the group, "I heard about the break-in at your place. Nothing important missing, I hope."
    "We're fine. Lost some recordings," Nate said.
    "Ah, well, good. A lot of lowlifes on this island now." Fuller looked at Kona.
    The surfer grinned. "Shoots, brah, you make me blush."
    Fuller grinned. "How you doing, Kona?"
    "All cool runnings, brah. Bwana Fuller got his evil on?"
    There were neck-snapping double takes all around. Fuller nodded, then looked back at Quinn. "Anything we can do, Nate? There are a lot of our song recordings for sale in the shops, if those will help out. You guys get professional discount. We're all in this