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clung to his arm.
    â€œNo, I swear it,” he was saying, “ the guy looked like Elmer Fudd, except with hair, and Ruth and I were getting romantic—or we’d already got romantic and were thinking about getting romantic again—I mean, I’m naked, for Christ’s sake—don’t blush, Ruth; is she blushing? Anyway, it’s a little disconcerting. We’re out there on the water, and if it was a seal or a tuna or even a whale, I could understand it, but a Chinese Elmer Fudd? And with hair?”
    Ruth stepped aside, two steps back and one to the left, and watched their faces as Saxby waved his arms and mugged and ran his voice up and down the register. They were spellbound. When Sax was finished, when he’d left the frightened interloper thrashingthrough the Spartina grass like a spooked buffalo, Irving Thalamus set down his cards and looked up. “You want to take order now?” he said in falsetto, his face expressionless. “You like egg loal or Chinese wegetable?”
    â€œMaybe he was trying out for the Olympics or something,” Bob said, and he was about to expand on this notion when the punk sculptress cut him off. “You people are really fucked,” she snarled, slamming down the cue stick. She stood glaring at them from the center of the room. “You’re as bad as the crackers. Worse.” She drew herself up, as if to spit on the floor, and stalked out of the room.
    â€œWhat’s with her?” Saxby said, helping himself to a handful of peanuts from the bowl in the middle of the card table. “I mean, it’s not like we’re in the East Village here or something. This is Georgia”—and he thickened his accent—“the sweet ol’ downhome Peach State, and I’d say finding a Chinaman in the middle of Peagler Sound is pretty damned incredible—I’d say, for a fact, that the Chinese population of the Sea Islands just soared from zero to one.”
    Irving Thalamus broke open a peanut with an authoritative crack, and everyone turned to watch him as he bent over it to extract the dicotyledonous kernel from the shell. “No sense of humor,” he observed in his smoker’s rasp, and Bob began to snicker.
    It was then that Ruth felt herself letting go. She was overwrought, desolate, flooded with conflicting emotions: How could they be so blasé? There’d been a shipwreck. She’d watched an exhausted, half-hysterical survivor flounder to shore and flail through the bushes in a panic. And all they could do was make Chinese jokes. How many others were out there even now, crying out for help, the black unforgiving waters closing over them? “We’ve got to call the police,” she said suddenly. “And the Coast Guard. A ship went down, I know it, it’s obvious. Did anyone listen to the radio tonight?”
    They were all watching her—even the walleyed composer, who jolted awake with a snort at the mention of radio. “Radio?” sheechoed, and then they were all talking at once. “Did anyone?” Ruth repeated.
    Peter Anserine had. Ina Soderbord, who had the room next to his, had heard him listening to some news program around eight. But he’d been asleep for hours now, and who wanted to wake him?
    Suddenly Ruth was furious, the whole thing—Thanatopsis House, the cynicism, the pressure, the backbiting—too much for her. In an instant, the carefully constructed edifice of her reserve fell to pieces. She was part of it now, centerstage. “I don’t believe it,” she blurted, and she felt light-headed with the intensity of her emotion. Saxby was there, his arm around her shoulder. “It’s okay,” he said, but she wasn’t through yet. “People could be drowning out there and you, you—you make jokes!”
    Tears had started up in her eyes, but she fought them down. She was angry, hurt, confused—she really was—and