done a bit of humiliating begging?
Slowly I walked down the hall to my room, to stand before the silver music box where the pink ballerina stood in arabesque position when the lid was opened, and she could see herself in the reflecting mirror. And I heard the tinkling music play, "Whirl, ballerina, whirl. . . ."
I could steal it, if I had a place to hide it.
Good-bye, pink-and-white room with the peppermint walls. Good-bye, little white bed with the dotted-Swiss canopy that had seen me sick with measles, mumps, chicken pox.
Good-bye again to you, Daddy, for when I'm gone, I can't picture you sitting on the side of my bed, and holding my hand, and I won't see you coming from the bathroom with a glass of water. I really don't want to go too much, Daddy. I'd rather stay and keep your memory close and near
"Cathy"--Momma was at the door--"don't just stand there and cry. A room is just a room. You'll live in many rooms before you die, so hurry up, pack your things and the twins' things, while I do my own packing."
Before I died, I was going to live in a thousand rooms or more, a little voice whispered this in my ear. . . and I believed.
The Road to Riches
.
While Momma packed, Christopher and I threw our clothes into two suitcases, along with a few toys and one game. In the early twilight of evening, a taxi drove us to the train station. We had slipped away furtively, without saying good-bye to even one friend, and this hurt. I didn't know why it had to be that way, but Momma insisted. Our bicycles were left in the garage along with everything else too large to take.
The train lumbered through a dark and starry night, heading toward a distant mountain estate in Virginia. We passed many a sleepy town and village, and scattered farmhouses where golden rectangles of light were the only evidence to show they were there at all. My brother and I didn't want to fall asleep and miss out on anything, and oh, did we have a lot to talk about! Mostly we speculated on that grand rich house where we would live in splendor, and eat from golden plates, and be served by a butler wearing livery. And I supposed I'd have my own maid to lay out my clothes, draw my bath, brush my hair, and jump when I commanded. But I wouldn't be too stern with her. I would be sweet, understanding, the kind of mistress every servant desired-- unless she broke something I really cherished! Then there'd be hell to pay--I'd throw a temper tantrum, and hurl a few things I didn't like, anyway.
Looking backward to that night ride on the train, I realize that was the very night I began to grow up, and philosophize. With everything you gained, you had to lose something--so I might as well get used to it, and make the best of it.
While my brother and I speculated on how we would spend the money when it came to us, the portly, balding conductor entered our small
compartment and gazed admiringly at our mother from head to toes before he softly spoke: "Mrs. Patterson, in fifteen minutes we'll reach your depot."
Now why was he calling her "Mrs. Patterson"? I wondered. I shot a questioning look at Christopher, who also seemed perplexed by this.
Jolted awake, appearing startled and disoriented, Momma's eyes flew wide open. Her gaze jumped from the conductor, who hovered so close above her, over to Christopher and me, and then she looked down in despair at the sleeping twins. Next came ready tears and she was reaching in her purse and pulled out tissues, dabbing at her eyes daintily. Then came a sigh so heavy, so full of woe, my heart began to beat in a nervous tempo. "Yes, thank you," she said to the conductor, who was still watching her with great approval and admiration. "Don't fear, we'll be ready to leave."
"Ma'am," he said, most concerned when he glanced at his pocket watch, "it's three o'clock in the morning. Will someone be there to meet you?" He flicked his worried gaze to Christopher and me, then to the sleeping twins.
"It's all right," assured our mother.
"Ma'am,